Friday, May 25, 2012

SUPER HEROES

When I Was A Child I Dreamt I could Fly  Oil on linen 80 x 120 cm 2004

Last week I took myself off to the movies. Yes, alone. None of my kids wanted to see this particular movie! Can you believe it?! The movie was 'The Avengers' I bought myself a chocolate covered ice cream and settled into my seat. I loved the movie. Yes, I am a fan of fantasy action packed cinema.
But, whilst I thoroughly enjoyed the improbable feats of bravery and bravado, I left the cinema feeling a touch of sadness. Why?

Well...if movies reflect society's underlying beliefs, demeanors, spirit and confidence, this film, for me anyway, revealed much about society's despondency, feelings of lack of strength and direction...that 'things', such as global economic degradation, ongoing wars, global warming, cost of living etc,  are just too big for mere human kind to overcome, let alone solve. So, unlike in most other super hero films, where there is normally one heart throbbing super hero saving the day, this film 'The Avengers' is about a cluster of super heroes conscripted to save life on Earth from nighmare-ish alien cyborgian- reptilian like monsters which are allowed to escape from a portal to another universe-like place, mythological Asgard. These monsters are the soldiers of a really bad guy called Loki, a character borrowed from Norse mythology. He is the adopted son of Odin, a ruler of Asgard. He was raised by Odin as a son, alongside his biological son Thor.  

Yes, and Thor is also one of the super heroes, who is pitted against his adopted brother. Thus, we have the age-old Abel and Cain-like story weaving through the action. Thor is joined by Captain America, Ironman, Black Widow, and The Hulk. Each joins the team with some initial reluctance, but their recruiter, legendary director of the peace keeping organisation S.H.I.E.L.D, Nick Fury convinces them, at the same time as coercing and over-riding edicts from what appears to be some kind of global government committee. As a team, with some endearing dysfunction, the super heroes save the world with might, strength, some intellect, authority, larrikanism and humour.

After thinking about my feeling of sadness, I realised that maybe this film is a reflection of society's general malaise about the seeming enormity of problems facing the planet and its inhabitants ie: us. Indeed, modern media has a 'wonderful' way of infiltrating not only our lounge rooms, but also our psyches with constant reportage of mayhem and disaster across all aspects of life. It's exhausting! 'The Avengers' tells me that as a human race... a global society... we want to be saved, we are yearning to be saved, by heroes. But, then again, maybe this is a normal reaction to feeling of being on the brink, given that our ancestors of eons ago, believed in the powers of mythological Gods and Goddesses. When we don't know what to do we resort to mythology! But, maybe this is not as delusional as it may initially appear to be. Maybe superheroes, myth and legend spark a primal element within us which rejuvinates our energies, forces us to look at different perspectives, rekindles faith...maybe?

The character of Nick Fury, whilst not a super hero, is a pivotal grounding human presence. He is tough, he is brave, he is a 'real' leader. I think his defiance of the 'government committee' which only appeared a few times in massive overhead screens, is heroic in itself. His character represents a yearning for leadership, for someone to make inspired decisions, for someone to facilitate and enable super heroes! And, just maybe...just maybe...given the right circumstances and leadership, you and I could be a 'super heroes' too. 

It is a shame that only one of the super heroes was a female. Maybe they could have sqeezed in another? Or even had Thor's mother Gaea sweep her Earth Mother magic across the land, especially after the destruction wrought by the end-of-film battle between the forces of good and bad. But, where would that place a sequel, which is hinted at during the credits at the end of the film? 

I have uploaded the painting above, because it was inspired by my childhood dreams of flying. 'When I Was A Child I Dreamt I Could Fly' has a figure of a girl, propelled by red energy forces, flying above the Earth, accompanied by the moon. Yes, I did have 'flying' experiences. Indeed, even though I had never been in a plane above my parent's farm, I knew what the farm buildings, yards, silos and water tanks, gardens and roads looked like from above. When I watch movies like 'The Avengers' and see characters such as Thor and Ironman flying, I 'know' exactly how it feels!!! Really!

As a child, I had all sorts of fantasies about saving the world, from being a gutsy fighter pilot to being an intrepid missionary, to being a famous scientist! What were your fantasies?

Below are a couple of other paintings which depict flying. Both these paintings show a bride flying above a landscape. I don't think she is a super hero, but hey who knows?

 Flying Oil on linen 80 x 120 cm 2003


Living With Distance Oil on linen 120 x 160 [diptych]

Cheers,
Kathryn

Friday, May 18, 2012

TALKING

A Road Somewhere Oil on linen 120 x 80 cm  2002-3


I've uploaded this older painting 'A Road Somewhere' because it illustrates the unexpected traversing of many horizons on life's journey.

Why am I being nostalgic about life's journey? Well...this week I was interviewed by Heather Price for her segment on the BLOG TALK RADIO show The Difference. We discuss, over nearly 40 minutes, various subjects stimulated by art. Heather particularly focused, at one stage, on my recent painting 'Ouroboros'  [below]

This is Heather's second interview with me, and I enjoy her deep and spiritual insights and questions. We both grew up 'out west', on farms. We did not meet until the early 1980s, when we were both young brides...me living in the town of Goondiwindi and Heather on a nearby sheep station. We painted together in Goondiwindi with Flying Arts and also worked, with 4 others, on a collaborative installation piece with artist in residence, Lyndall Milani. This installation was facilitated through Arts Queensland and the Insitute of Modern Art, in Brisbane. Both Heather and I now live in Brisbane. We both still have a very close connection to the land. Please check out Heather's fascinating website HERE


                                       Go West Young Woman  Oil on linen 55 x 80 cm 2003


                                             Ouroboros Oil on linen 122 x 153 cm 2012


MORE SPEAKING

In July 2008 I was the invited guest speaker for the University of Queensland's graduation ceremony for the Faculties of Arts, and Behavioural and Social Sciences. I chose the topic of 'Perspective' and even though the event was a celebration of academic success, I wore my artist's 'hat' with the intention of discussing how my art practice stimulates my intellectual life and vice versa. I got some great feedback from academics, graduating students and their parents. I discovered yesterday that there is a audio recording of my speech. Please click HERE to hear it.


NEWS

SCOPE GALLERY
My entry into Scope Galleries Art Award-Art Concerning The Environment is a finalist. I sent the painting to the gallery last week. The award is announced June 2.

BRISBANE GRAMMAR ART SHOW
I have been invited to exhibit again in the BGS Art Show opening Friday 3rd August until 4th August.
My work sold last year and received good feedback, so I am keenly looking forward to this year's exhibition. The BGS exhibition has a reputation for its quality and curation in a non-gallery situation.

TATTERSALL'S CLUB LANDSCAPE ART PRIZE
I have been invited again to enter the $25,000 Tattersall's Landscape Art Prize. It opens at the Tattersall's Club, Brisbane September 5th. The exhibition is moved to Waterfront Place for public exhibition on the 8th Septmber until 21st September.

And, I am wating to hear about a few other prizes, opportunities etc. Will let you know what happens!

Cheers,
Kathryn
www.kathrynbrimblecombe-fox.com

Sunday, May 13, 2012

MOTHER

Quiet Fierceness Of Light Oil on linen 90 x 180 cm

Today has been Mothers' Day in Australia. A beautiful autumn day in Brisbane. Families out and about, breakfasting, lunching, out to dinner, picnics in the park. A great day. I have had a wonderul day, with breakfast out with my children, lovely presents, a heated discussion about someone's homework, an old school friend and her mate over for a drink. I phoned my own Mother this morning and had a long chat.

Regular readers will know that I often depict a figure of a woman in my paintings. She has been variously; Eve, Mother Earth, Mother Nature, the young bride in the landscape, me and you. I would suggest that in all cases she has actually been the personification of Spirit, the Sacred Feminine. As such, she is neither male nor female, but the essence of life which exists within us all, man and woman.

As Spirit or the Sacred Feminine, the female figure is illuminatory...she casts light at the same time as attracting it. She lights the way, but the journey also finds her. As she attracts the light it fills her, penetrating the intimate spaces of her soul, as she sheds light for humanity's guidance. As Light she is also Knowledge. For indeed, illumination reveals information, in its never-ending detail as well as in its broad glimpses of horizons beyond. These perspectives add to our knowledge of the world and us...and the universe/multiverse. It propels us. Please check out Colour of Knowledge for more of my thoughts. The painting Colour Of Knowledge is also below.

In this post I have uploaded some images of paintings where light and the female figure, representing her various incarnatons, 'speak' of the sacred feminine.

Please also check out my website 'Gallery' My Women 1990-Present

Seeking The Light Oil on linen 36 x 36 cm


Monday, May 07, 2012

ON THE EDGE

On The Edge Gouache on paper 34.5 x 53.5 cm 2001

So, since Quiver finished a week ago I have cleaned out my studio, ready for me to start work again soon. In my clearing out I have re-discovered some old paintings, including On The Edge above. It was painted in 2001. I had forgotten I painted it and indeed was rather pleased when I saw it in my map drawer. I like it a lot! It has never been exhibited.

So, even in 2001 I was interested in galaxies, universes, mammoth spaces and places, but also the minutae of distance. This painting reminds me of my dreams...being on the edge of sleep, on the edge of the horizon! Such an intimate place, the edge of sleep, but what a massive dimension it becomes.

I like the way this painting appears to be a landscape...one of the edge of the planet, or maybe the galaxy...or maybe the universe? I also like the way it could be a microscopic view, a cross section of something much smaller than a galaxy of stars, but with the same miraculous intensity of one.

 STUDIO



The photo above is of my now clean studio. Well, I know, I know... it is not perfectly clean, but it is a lot cleaner than it was. You will notice the side of the hot water system on the right! I paint my works on paper in this room. The larger oil on linen paintings are created in my garage, which is a great studio.

VIDEOS

Just in case you missed them:
Two new videos!

Murray Darling Currency

Ouroboros



NEWS: FINALIST

And, some good news. My entry in the
SCOPE GALLERIES Art Award - Art Concerning Environment
has been selected as a finalist.

Click HERE to read more about it.
I shall keep you posted on how it all goes.


Cheers,
Kathryn

Wednesday, May 02, 2012

AN ARTIST'S LIFE

QUIVER finished on Sunday! It was a great success with many more people through the exhibition than my last one. Plus, I sold some paintings!! Very happy.

I had a number of people visiting the exhibition on a daily basis, plus about 80 people came to the opening, with another 25-30 attending my artist's talk.





Many people asked me about the process of exhibiting my work, as an artist who is currently unrepresented by a commercial gallery. I do hope that one day I am represented by a gallery/ies. In the meantime I just get on with my painting, exhibiting, writing and so on. Persistence is my middle name!

So, as an unrepresented artist, who wants to exhibit every 12 - 24 months, I have to find spaces that are available and suit my work. Graydon Gallery, in New Farm, Brisbane is a rental space and a really beautiful one too. I have held my last three exhibitions there and each one has been successful in many ways including sales, numbers of visitors and providing me with an opportunity to really reflect upon my work. The latter is possible because the artist has to look after the exhibition each day. Another delightful outcome is that I can chat to people.

But, what does it take to mount one's own exhibition...apart from actually creating the artwork?
  • Forward planning. Most rental spaces are booked well in advance.
  • Organising design and printing of invitations.
  • Then.... putting invitations into envelopes, printing address labels and posting. My children help me with this. Email invitations also go out. I also drop of bundles of invitations to coffee shops etc.
  • Marketing and promotion. This entails writing press releases aimed at the general media as well as the art media. Plus, providing images. Plus, follow up. Some media require longer lead times than others, so it is important to have a running sheet to follow.
  • Photographic documentation of artwork for internet promotion and also for hardcopy reproduction. I photograph all my own work now, but in the past I used to get a professional photographer, and many artists still do. However, I now have a good camera and I am happy with the quality of my photos.
  • Maintaining website, BLOG and other internet based promotional opportunities. I also use LinkedIn, Facebook, Tumbler, Twitter, Goodreads, Bloggers.com, Google+. Fortunately many of these can be linked to each other!
  • Arranging framing of paintings, especially works on paper.
  • Stretched frames [ I use linen] need to have hanging apparatus, so a few days before the exhibition I am on the floor with screw driver, screws, D Rings, hanging wire.
  • Packaging and wrapping paintings for transport to the gallery. Bubble wrap everywhere!
  • I have a very old Volvo station wagon and it is my freighting vehicle as well as family car! The night before the show is hung, I pack my car with the paintings. Any that need to go on the roof are put there just before I leave ie: normally only one or two.
  • Once at the gallery, and the car is unpacked, the fun stuff starts. It is also the most time consuming and sometimes frustrating part of the exhibition process ie: placing the paintings so they look good, speak to each other, flow and breath. Not all the paintings will necessarily be hung. Over hanging can make an exhibition turn into a bazaar.
  • Once placed in position, the paintings are then hung. Most exhibitions see me scrambling up and down ladders, levelling, straightening etc. I've devised ingenious ways to hang large paintings on my own.
  • Once hung, each painting is numbered and/or labelled...Oh yes, I design and print, labels and price lists too! Plus, artist's statements, CV and othe didactic material.
  • So, the exhibition is now hung and labelled. The gallery is open to the public for a day or so before the opening night. The artist sits and waits for people to turn up...and they do!
  • Now to focus on the opening night. This is when the artist turns into providor and function manager! I normally order the alcohol and hire glasses a few weeks prior to the opening.
  • On the afternoon of the opening, my Mum arrives to look after the exhibition. After giving Mum instructions, I race home to put my glad rags and make-up on. Plus I collect the cold alcohol and the hire glasses, and I buy ice for the eskies. Thank goodness for my old Volvo! Oh, forgot to tell you that stuff like eskies, white table cloths, jugs for water, bowls for chips, plastic lined big bins have already been taken to the gallery at an earlier time.
  • By this time I often feel quite frazzled! But, adrenalin keeps me going, especially as I run back and forth from the car, carrying trays of hire glasses, bags of ice, cartons of 'grog' in order to get the bar set up before people arrive!
  • The bar is then organised. By this time one or more of my children have normally turned up from Uni [or wherever] to help. The last few openings friends have been my bar maids! Thank goodness for friends. I've also hired a bar man a few times too.
  • 5.30 -  6 pm and people start to arrive! The fun, the talking, the sipping bubbly, buying! continues till around 8 pm. After this, its time to clean up and go our for dinner!
  • The day after the opening...bins emptied, glasses returned, and time for a coffee.
  • Over the period of an exhibition an artist needs to maintain a presence on social media sites... without annoying people. It's important to keep the exhibition 'out there' to maintain momentum. 
  • On the Saturday after the opening of Quiver I held an artist's talk. This involved reminding people [ever so gently], bringing out the bubbly again, eskies and ice, and setting up afternoon tea. My country living days means I have an urn, which is a great thing to have when providing bulk cups of tea and coffee. One of my children was my tea lady! And, after it is all finished...cleaning up.
  • So... the exhibition continues until the last day. I am there each day, ready to chat, discuss. The fact that my paintings 'go' 3D when viewed with 3D glasses caused lots of excitement, wonder and conversation at Quiver. I don't paint 3D on purpose and am not interested in doing it, but I am interested in the fact that it happens...after all, as regular readers know, I am very interested in perspective, dimensions and distance. Someone pointed the 3Dness out to me at my exhibition Frisson two years ago.
  • Pulling down a show is much easier than hanging one. But, all the paintings have to be wrapped, those that have sold are often collected, but sometimes I deliver. The gallery space is left clean...floors washed, fridge cleaned out, etc etc
  • Financial controller ie: issuing invoices, receipts etc.
  • Then once at home the car is unpacked and I stay in a complete mess for about a week while I recover.

By necessity, an artist is often much more than a creator of artwork. They are also business managers, event managers, function managers, marketing co-ordinators, social media experts, designers, office administrators, CFOs, freighters, packaging and handling experts, providors, curators, a maintainance crew of one [eg: I am really good at changing light bulbs], public speakers, general 'dog's body' and more. But, I love what I do, which is to paint, and to get it 'out there' I am willing to put the hard yards in.

Quiver was a very successful show and I feel confident for the future!

The painting below 'Knowing Stillness' was one of the paintings in Quiver that attracted a lot of attention and admiration. I had about 6 people express an interest in buying this painting. Each going away to think, send husbands back and so on. It actually sold to one of these people the day after the exhibition finished. Now that was a great phone call to receive on Monday morning.


Knowing Stillness Oil on linen 85 x 150 cm
Cheers,
Kathryn
www.kathrynbrimblecombe-fox.com

    Monday, April 23, 2012

    LAST WITNESS and QUIVER

                                                         Last Witness Oil on linen 50 x 50 cm




    Last Witness


    The red tree, representing the age-old transcultural/religious tree-of- life symbol, stands as the last witness to humankind’s prosaic mutation of the alchemic myth of transformation. At its most profound the myth can be understood as a transformation into transcendence. Humankind’s frantic desire to transform nature’s gifts into commodities, where the most significant value is economic, shatters the alchemic myth’s potential to reveal, and revel in, the many dimensions of the meaning of ‘value’.


    In ‘Last Witness’ the top part of the painting is a deliberately ambiguous ‘landscape’. Small brush strokes create a tapestry of colour which could be interpreted as sky, rain, a forest, land and water contours, and more. Towards the bottom half of the painting, these elements are transformed into another ambiguous ‘landscape’ created with small $ signs. When viewed from a distance these $ signs are not discernible, yet they become obvious when viewed up close. I am asking the question ‘Have we noticed?’


    There is hope though. The red tree, the last witness to plundering in the name of monetary value and progress, is surrounded by small white dots giving a halo-like, portal-like, seemingly illuminative presence. The tree stands as witness, but also as guide and illuminator to other alternatives. The tree, as the tree-of-life, represents the vigour of life with its vascular like branches and its pulsating red. It beckons us to ask better questions. It provokes us into conversations where new perspectives are illuminated. It reminds us of the beauty we lose if one dimensional interpretations of value erode the fulsome capacities of transformation.




    QUIVER 
    2012



















    Cheers,
    Kathryn

    Sunday, April 15, 2012

    All A-QUIVER

    Seeking The Light Oil on linen 36 x 36 cm

    The car is loaded, documents are prepared, screw driver, blu tac and other assorted bits and pieces are ready. QUIVER is ready to be hung. I am hanging the show tomorrow [Monday], and the doors open to the public on Tuesday.

    ARTIST'S STATEMENT

    QUIVER is an exhibition of new paintings inspired by concepts of Mother Nature. Using the age-old transcultural/religious tree-of-life symbol, I explore distance from the nano to the multiversal. In this distance where perspective, both literal and metaphoric, takes on multi layered dimensions, the quiver …tremble….vibration…of all life reminds us of the shared rhythmic pulse across time and space. 
    In an age where environmental and sustainability issues battle with increasing energy needs, water viability and food production, re-examination of Mother Nature’s story, myth and symbolism may provide new perspectives which are not only Earth bound, but also directed to and from the cosmic world, at the same time as potentially penetrating quantum secrets.
    In many of these new paintings I combine a figure of a woman, with the tree-of-life. The woman seems to dance across indeterminate spaces that seem both vast and intimate. Her limbs erupt with trees that seem to connect her to these spaces in ways that resonate viscerally. This connection suspends time as Mother Nature embodies the first impulse of life as well as its present and future continuance.

    In other paintings I have combined the tree-of-life with other elements to 'ask' questions about how we 'value' our land, how we might discover new perspectives and how we might re-imagine our place within modern cosmology. How do we partner with Mother Nature to understand the spectrum of life from the quantum to the cosmic?

    QUIVER
    Graydon Gallery,
    29 merthyr Rd, New Farm, Brisbane, Australia

    17 - 29 April
    OPEN DAILY 10 am - 6 pm or by appointment
    ANZAC DAY 12 noon - 6 pm

    Please check out Carolyn McDowall's article in The Culture Concept.

    Please check out a recent QUIVER post and my online gallery on my WEBSITE
    Copies of my recently published book FOR EVERYONE: Words and Paintings will be available at QUIVER

    ....................................................................................................................

    SEEKING THE LIGHT
    Oil on linen 36 x 36 cm

    In this new painting [above] the female figure, representing Mother Nature, seems to attract light. He arms and feet erupt with vascular-like trees connecting her to whatever energy it is that propels life.  

    This painting is one of three 36 x 36 cm paintings in QUIVER. The other two paintings are below.

     Out There Somewhere Oil on linen 36 x 36

    The Beginning Oil on linen 36 x 36 cm


    I will upload photos of the show when it is hung!

    Cheers,
    Kathryn

    Sunday, April 08, 2012

    JOY

    Sap of Life Oil on linen 55 x 80 cm
    Will be in QUIVER

    A few days ago I was excitedly telling a friend about my recent painting Ouroboros I was explaining how I had combined two age-old symbols, the snake consuming itself [ie: ouroboros] and my much loved tree-of-life. I was, apparently, getting quite animated as I explained why I had combined the two symbols. I was in the throes of describing how the two symbols embodied the distances of the quantum and the cosmic, and how I had been inspired by reading about modern cosmology, when I glimpsed, out of the corner of my eye, one of my daughters. She was clearly sending me a non-verbal massage that I was being weird!

    So, being a marvelous modern mother, I said to my daughter, 'Am I being weird?'. The reply was, 'Yes Mum, you are weird... but I Iove you.' So, I replied, 'Well, I think you're very lucky to have a weird Mum.' The response was, 'Yeeeeees Muuuuuum.' We all had a good laugh!

    Well, I was probably getting a bit over animated. When I do this, my arms apparently make wild gestures and my body is pumped with energy. I suggest that these are signs of JOY!

    So, I started to think about what makes me feel joy. Indeed, many things do...from a new pair of shoes, to my children, to receiving a reply to an email from an astrophysicist. Now this spectrum provides for a broad range of joyful moments! However, I am going to focus on those things, and moments, in my creative practice that bring me joy.   

    Me in my studio which I share with the hot water system and where I paint on paper.

     
                                 Me in my studio [aka garage] where I paint my oil paintings
    This painting became THIS and then THIS [A painting called 'One']

    JOY
    • Yes, getting a replies to emails from a variety of people, including astrophysicists, academics, philosphers etc, over the years has given me great joy. Why? I think it is the acknowledgement that my creative activity touches upon relevant and contemporary discussions, which cross multiple facets of thought and investigation. JOY!

    • In some cases the email exchanges have continued, with a rich and regular injection of stimulation and feedback. JOY!

    • My regular followers of this BLOG bring JOY! You know who you are.

    • Reading about things I have thought about, but not realised were 'out there' in the world of debate and discovery, until I read about them. The synchronicity is exciting. A feeling of being connected to this kind of energy is very exciting. JOY!

    • When I prepare a canvas I often splash paint and turps around ultimately leaving the canvas either upright or flat on the floor, to let the paint do its own thing. [See teh photo of me above] Upon returning to my studio [aka garage], with new eyes [so to speak] I am often blown away by the results of the combination of my manipulations and chance. I feel excitement well up in my heart...JOY! I then very keenly take up my brush to take the painting further.

    • When I have been working up close to a painting for awhile, I will step back from it, to view it from a distance. Now, sometimes I am not happy with what I see, but many times, I see something I did not realise I was creating...beauty...well at least I think so. The feeling is a combination of surprise, gratitude, satisfaction and some fear...but also JOY

    • Getting a phone call, email or letter to tell me I have been selected as a finalist in an art prize. I enter many art prizes and have become very 'hard skinned' about rejection! My middle name is 'persistence'. So, when I receive notification of acceptance...JOY! Yes, yes, yes. I have been known to jump up and down on the spot...yes my children think it's weird when an 'old person' does this.

    A long time ago I won a senior section state-wide prize which celebrated Queen Elizabeth's silver jubilee. Here I am with Her Majesty and I think the DG of Education at Queensland's Government House. My painting is top left. It's 1977! Yes, lots of JOY and anxiety too! Whether you are an monarchist or not, meeting the Queen, as a teenager was pretty exciting.

    • I did definitely jump up and down on the spot when I received the first copy of my book For Everyone: Words and Paintings. A package was delivered to my door...I wondered what it was...looked at the sender info and realised it was my book. One of my daughters was home at the time. She even jumped up and down on the spot! It was just so exciting to open the package and see my first book [so far only!]. Given that For Everyone is essentially about reconnecting to one's inner child, I think my response, and my daughter's, was entirely appropriate.



    • I have held many solo exhibitions over the years, but each time, when the show is fnally hung and I see a body of my work in its entirety, I feel JOY tinged with satisfaction and some fear too!

    A view of my last solo exhibition VORTEX 2011
    • When someone buys a painting! JOY! Money means I can keep painting, so you can imagine the sheer joy... and relief...a purchase gives...not only to me, but to any artist. There is such satisfaction opening up one's bank account to see credits!

    • Now this has been unexpected, but I have had a number of people, after buy one copy of For Everyone return to by 3, 5 and 10 more copies. JOY!

    • One of these people is a family lawyer. She has bought a total of 16 copies, to give to family law type people, from mediators, to counsellors and I think even a Judge. She is keeping some to lend to clients. When I spoke to her recently she explained how she was using the book with her clients, helping them to understand themselves and their situations. Can I tell you....I felt so grateful, excited and JOYful, that someone had really 'got it' and that For Everyone was helping people. Check out Feeney Family Law where my book is mentioned on their BLOG.

    • Now, this is probably really weird, but I get very excited when I am asked to speak about my work or aspects of it. Public speaking, to many people, is frought with feelings of fear and anxiety. But, for me it's excitement [well with a little bit of anxiety]! I have spoken at many forums over the years, but one of the most memorable was in July 2008 when I was asked to be the guest speaker at the Univeristy of Queensland's graduation ceremony for the Faculties of Arts, and Behavioural and Social Sciences. I chose the topic of 'Perspective' [regular readers of this BLOG will know why]. I was told I should speak for around 8 Minutes. The first few seconds, where I was a tad nervous, passed and I realised that the slight rustling in the audience had quietened to very still and attentive silence. As I tried to not notice my face reflected back to me in the huge screens dotted around the massive UQ Centre, I felt a welling of excitement and JOY. They were listening to me!
    QUIVER

    Count down to my next solo exhibition. It opens to the public in just over a week! Now that's exciting!

    Please check out Carolyn McDowall's article in The Culture Concept. When I saw this article I felt JOY! 

    17 - 29 April Graydon Gallery, 29 Merthyr Rd, New Farm, Brisbane, Australia

    Please check out a recent QUIVER post and my online gallery on my WEBSITE


    Meeting Place Of The Mind Oil on linen 100 x 70 cm
    Will be in QUIVER



    Cheers,
    Kathryn
    www.kathrynbrimblecombe-fox.com

    Monday, April 02, 2012

    COSMOLOGY

                                                Other Universes Gouache on paper15 x 21 cm

    Regular readers will know of my interest in cosmology. As I research and think more about spacial and temporal distance and perspective, in terms of how the human race might 'see' itself and its environment, I get more and more excited about art's agency. This agency has catalytic potential to ignite our hearts and imaginations revealing how we may re-vision our innate links to, and identity with, the universe and the new scientific understandings of its enormous capacity.

    As I have written previously, developing skills in seeing multi-perspectives, both literally and metaphorically, are of paramount importance as we live locally in an increasingly globalised world, but also in a world that is propelling itself into the extreme vastness of possible multi-universes, as well as the intimate vastness of the nano and beyond. Art's capacity to reveal new perspectives, stimulate new imaginings and to provide experiential opportunities opens possibilities for a cosmic compassion that embraces self, others and cosmic distances.

    In my recent Ouroboros post  I mention husband and wife team Prof. Joel Primack and Nancy Abrams. Prof Primack is a Profesor of Physics at the University of California, Santa Cruz. Nancy Abrams is a lawyer and has a BA in History and the Philosophy of Science. It is very exciting when you come across people who are passionate about the importance of visioning our place within the envirionment, not only our local and global ones, but also those beyond. They advocate for art's capacity to provide conduits between science and humanity's identity. Here is a quote from a 2001 paper Cosmology and 21st-Century Culture witten by Primack and Abrams.

    All possibilities are still open because the meaning of this new cosmology is not implicit in the science. Scientific cosmology, unlike traditional cosmologies, makes no attempt to link the story of the cosmos to how human beings should behave. It is the job of scholars, artists, and other creative people to try to understand the scientific picture and to perceive and express human meanings in it. A living cosmology for 21st-century culture will emerge when the scientific nature of the universe becomes enlightening for human beings.

    Please visit the Primack/Abrams website I am defnitely buying their book 'The Universe and The Human Future: How a Shared Cosmology Could Transform the World'.

                                                  Ouroboros Oil on linen 122 x 153 cm
                                 Ouroboros will be in my forthcoming exhibition QUIVER

    With an expanded view of our environment, as a cosmic one, it is likely that as new perspectives are revealed we not only realise the extreme importance of our actions, but also may discover new ways of nurturing our immediate home, Earth. Indeed, as I have written before, new and multiple perspectives, possibly seen simultaneously, hold the potential to stimulate questions we have previously not thought to ask, thus potentially providing answers we did not know existed. This dialogue fosters new and more confident interpretations of our place within the cosmos.

                                                   Cosmic Dust Oil on linen 120 x 160 cm

    Regular readers will be aware of what I call my 'quiet activist' work, particularly commenting on the hasty expansion of the open cut mining and coal seam gas extraction in Australia. Whilst these paintings that focus on particular issues are more obviously political, I believe any art which suggests new perspectives that provoke questions which may ultimately provide answers that cause change, are also political in the broadest sense. I also believe that any art, with a grasp of beauty's power to provide hope, is political. Regular readers will know I have written about beauty many times before.


                                                       The Beauty Of Oil on linen 36 x 36 cm
    There are many environmental and sustainability issues confronting us in the 21st century. The following quote by Primack and Abrams in the Introduction to 'The Universe and The Human Future: How a Shared Cosmology Could Transform the World', which is online at
    http://new-universe.org/Excerpts.html , is a sobering reminder of humankind's potential for either good or bad.

    Earth is incredibly special, more so than anyone imagined before recent discoveries of hundreds of other planets orbiting nearby stars. And our era is an incredibly special moment even on a timescale of billions of years: we are the first species that has evolved with the capability to destroy our planet. Will we do so? Or will we successfully negotiate over the next two generations a transition from exponential growth in environmentally harmful activities to a sustainable relationship to this remarkable planet, the only hospitable place for creatures like us in the explored universe? The answer could affect not only humanity but the entire future of intelligence in the ultimately visible universe.

                                           Murray Darling Currency Oil on linen 120 x 160 cm
                        Murray Darling Currency will be in my forthcoming exhibition QUIVER

    And, of course Lord Martin Rees's book 'Our Final Century' poses many questions and warnings about humankind's potential to not survive the 21st century. Here is a quote I have placed on this BLOG a couple of times:

    It may not be absurd hyperbole—indeed, it may not even be an overstatement—to assert that the most crucial location in space and time (apart from the big bang itself) could be here and now. I think the odds are no better than fifty-fifty that our present civilisation on Earth will survive to the end of the present century. Our choices and actions could ensure the perpetual future of life (not just on Earth, but perhaps far beyond it, too). Or in contrast, through malign intent, or through misadventure, twenty-first century technology could jeopardise life’s potential, foreclosing its human and posthuman future. What happens here on Earth, in this century, could conceivably make the difference between a near eternity filled with ever more complex and subtle forms of life and one filled with nothing but base matter.Martin Rees, Our Final Hour: A Scientist’s Warning: How Terror, Error, and Environmental Disaster Threaten Humankind’s Future in This Century—On Earth and Beyond (New York: Basic Books, 2003) p.7-8
    Now, this all brings me to my forthcoming exhibition QUIVER. It is an exhibition exploring notions of Mother Nature. My previous post, with a glimpse of some of the paintings, is HERE The following is an extract from my artist's statement.

    In an age where environmental and sustainability issues battle with increasing energy needs, water viability and food production, re-examination of Mother Nature’s story, myth and symbolism may provide new perspectives which are not only Earth bound, but also directed to and from the cosmic world. 

    You will notice in the painting Mother Nature [below] that the female figure, representing Mother Nature, seems to fly knowingly and confidently in an expanse that can be interpreted as outer space, or perhaps the inner reaches of the nano world. She is everywhere, she is Us.



                                Mother Nature Gouache on paper 52 x 63 cm framed 
                                              Mother Nature will be in QUIVER

    Pleae check out this new article by Carolyn McDowall in her online Culture Concept. it is an article about QUIVER 
    QUIVER 17 -29 April
    Graydon Gallery, 29 Merthyr Rd, new Farm, brisbane, Australia.
    Open daily 10 am - 6 pm
    More details HERE


    Sunday, March 25, 2012

    QUIVER Exhibition

    At The Fiery Gate Gouache on paper 52 x 63 cm [framed]
    Click HERE to read more

    In just under a month
    my solo exhibition: 

    QUIVER

    Dates Tuesday 17 - Sunday 29 April
    Open Daily 10 am - 6 pm or by appointment.
    My website QUIVER GALLERY
    Graydon Gallery, 29 Merthyr Rd, New Farm, Brisbane, Australia.

    In this post I've uploaded a small selection of paintings which will be in QUIVER


    Mother Nature Gouache on paper 52 x 63 cm [framed]
    Click HERE for more on Mother Nature


    QUIVER is an exhibition of new paintings inspired by concepts of Mother Nature. Using the age-old transcultural/religious tree-of-life symbol, I explore distance from the nano to the multiversal. In this distance where perspective, both literal and metaphoric, takes on multi layered dimensions, the quiver …tremble….vibration…of all life reminds us of the shared rhythmic pulse across time and space. 
    In an age where environmental and sustainability issues battle with increasing energy needs, water viability and food production, re-examination of Mother Nature’s story, myth and symbolism may provide new perspectives which are not only Earth bound, but also directed to and from the cosmic world. 
    Firmament Gouache on paper 52 x 63 cm [framed]
    Click HERE for more on Firmament


    Close and Fat Distance Oil on linen 80 x 150 cm
    Click HERE for more on Close and Far Distance

     

    Elemental Dance Oil on linen 55 x 80 cm
    Click HERE for more on Elemental Dance

    Sap Of Life Oil on linen 55 x 80 cm
    Click HERE for more on Sap Of Life

     

    The Beginning Oil on linen 36 x 36 cm
    Click HERE for more on The Beginning

    Becoming The Light Oil on linen 160 x 120 cm


    Quiet Fierceness Of Light Oil on linen 90 x 180 cm
    Click HERE for more on Quiet Fierceness Of Light

    ..................................................................................................

    My book


    will be available at
    QUIVER

    Please visit For Everyone's Page to read testimonials, see some images,
    and links to online buying sites.


    .........................................................................................................

    I have a few projects in stream at the mment. Shall keep you up to date!

    Cheers,
    Kathryn