Saturday, April 23, 2022


Speed of Light Oil on linen 112 x 153 cm 2022

Interconnecting circles form a fake cloud across a vast scape. Are you above this fake cloud or below it? The circles are formed by repeating the symbol for light speed - c. 

This painting responds to my PhD research into increasing military interest in the electromagnetic spectrum [EMS]. All frequencies from radio to gamma waves travel at the speed of light in a vacuum. All frequencies are made up of photons. Contemporary military and civilian technologies are increasingly reliant on radio to light frequencies for operation, connectivity, interconnectivity and inter-operability. Speed is key to seemingly instantaneous operation, connectivity, interconnectivity and inter-operability. 

Just a reminder that speed can kill.

As human beings harness the power and speed of the EMS for civilian and military applications, nations attempt to ensure access and use of frequencies. Even the recently announced Australia, United Kingdom and United States alliance AUKUS has, as one of its "advanced capabilities", a focus on, 

"Electronic warfare.  The electromagnetic spectrum is increasingly contested.  The three countries will work together to share understanding of tools, techniques, and technology to enable our forces to operate in contested and degraded environments." (White House "Briefing Room" Statement April 5, 2022) 

Selection of other paintings and posts that relate to Speed of Light

Theatre of War: Dromo Domain

Theatre of War: Internet of Battlefield Things

Theatre of War: Everywhere Cloud

Theatre of War: Photons Do Not Care

Theatre of War: Photon



Wednesday, April 13, 2022


Interface: Being HUMAN Being Oil on linen 56 x 112 cm 2022

Interface: Being HUMAN Being follows my last two works on paper Interface: Being  and Interface. I have been thinking about the human-machine relationship, especially where AI or ML technologies work as interfaces. I am particularly interested in the idea of AI systems operating in more human-like ways, and human beings becoming more like machines. Notice - I wrote AI operating and human beings becoming. 

And, this is a painting, not a digital work. The white on blue represents a fake cloud...

I think I will leave it there! 



P.S. Oh! The code 'instructs' HUMAN

Related Posts:  
Interface Being

Tuesday, April 05, 2022


Interface: Being Gouache on paper 56 x 75 cm 2022

Interface: Being follows my last painting Interface. And, in my last post I wrote "My head is full of ideas. Interface is a result of thinking about a lot of things. I've been writing and researching for my PhD, and this painting has been inside my head - my imagination - for a few weeks." My PhD research focuses on the increasing interest militaries around the world are paying to the electromagnetic spectrum (EMS), as an enabler of technology, a type of fires, a manoeuvre space and a domain. 

This new painting above, Interface: Being has also been inside my head for a while!

The human-machine relationship is a key area of interest. As the speed of technological operation, enabled by light-speed EMS frequency transmissions, increases across inter-connected and interoperable civilian and military systems, the human being is often seen as a point of latency. I have written about this with regards to recent news that an AI military lawyer tool is under development - Theatre of War: Law   and Theatre of War: Techno-Seduction 

Interface: Being 
Interface: Being is also the result of weeks of research and thinking. Like Interface, this new painting also references Douglas Hofstadter, the technological Cloud, real clouds, AI, binary code (01001000 01010101 01001101 01000001 01001110 instructs the word HUMAN), and questions about what it means to be a human being in the 21st century. 

In this new painting, I introduce and play with the word BEING. 





BEING 01001000 01010101 01001101 01000001 01001110 

01001000 01010101 01001101 01000001 01001110 BEING

HUMAN 01001000 01010101 01001101 01000001 01001110 

Interface is both a noun and a verb, and is used as both a noun and verb in computer science, and also in studies of human beings. 

In a human-machine relationship let's think about what is the interface, and what does the interfacing? Is it code - is it signal connectivity - is it human willingness or excitement (therefore, us) - is it need - maybe money - maybe power - is it speed? What do you think? How are we to BE human beings in a world dominated by accelerating developments in technology?

My choice of medium - painting - is deliberate. Painting helps me probe questions and pose new questions, without techno-interfaces or techno-interfacing. Painting is not reliant an any EMS-enabled digital or cyber technology, yet this does not preclude critique and study of these technologies. Painting is technologically and operatively detached. Detachment in a world of techno-interfaces and interfacing is a form of critical resistance.  



P.S. You might be interested in my post AI: Posing Questions I wrote this in response to seeing preliminary publicity at the Barbican, London, for a program AI: More Than Human. Unfortunately, I was not in London long enough to see the exhibition program.