The colourful 'barrier' may simply be a suggestion to stop and think. Many commentators remark that the 21st century is a 'crossroad' where technology promises amazing things, if we monitor and question carefully. If we don't, there may not be a way to 'turn back'. Just because we can do something, does not mean we should. I love the potential for inter-disciplinary research and investigation, drawing scientists, economists, philosophers, artists, and more together, to pave the future's pathway with rigour and excitement.
Chita-Tegmark's article got me thinking...a lot. Shiny eyed and steel skeleton-ed robots or beguiling AIs like the beautiful Eva in the recent film Ex Machina or 30 year old Blade Runner's four awesome replicants are all examples of how making an entrance can en-trance humanity with extra-ordinariness and excitement. This entrancement somehow gives the impression that we are confronting our fears, lessening their influence. But, the outcome may be a diversion of attention from Chita-Tegmark's ghostly entities and menacing arrangements of zeros and ones. These arrive unseen and unnoticed, not attracting attention against the 'flamboyance' of 'embodied' manifestations.
We need to go beyond the surface...beyond entertainment ...beyond entrancement. Being entranced is a very human characteristic and whilst it can be extremely satisfying, it may be one of our most significant existential risks.
You might like to also read these posts and see the paintings too:
Count Down To CODE
My forthcoming exhibition
Tuesday July 21 - Sunday August 2
Graydon Gallery, 29 Merthyr Rd, New Farm, Brisbane, Queensland, Australia.
Open Daily: 10 am - 6 pm or by appointment
Artist's Talk: Sunday 26 July 11 am - 12 noon
Below is a photo of 3D glasses I take to my exhibitions. Why? Well, it was pointed out to me a few years ago, by a visitor to one of my shows, that my paintings would 'go' 3D with 3D glasses. When it was first mentioned to me I thought 'SURE', but as it transpired, many of my paintings do separate into multiple dimensions when viewed with 3D glasses. It certainly acts as a talking point!
And below is a photo of four works on paper that have been recently framed in readiness for CODE!