Thursday, July 20, 2017

THE NEW CLOUDS

The New Clouds Gouache on paper 56 x 76 cm 2017



I've previously painted airborne drones as 'clouds' and here is another painting where clusters or swarms of weaponised drones create cloud-proxies in the sky. 

I am playing with ideas of fluffy clouds that literally dance around our skies - and - THE Cloud where, with a click or two on our various cyber devices, we share and send photos, documents, data etc to be 'stored' remotely in ways that are accessible to us. But, who or what else can also access our data? 

TARGETING
In my mind, are also thoughts of targeting! Here, in The New Clouds I've 'targeted' one of the drones and it erupts in flames. But, the remaining drones continue with their proxy 'dances'. They do not seem to detect that they are being watched - by you and me. Here, I've attempted to turn pervasive surveillance, with its targeting agenda, back onto the drones. We - you and me - could be everywhere - above the drones, below them, in front of them or even behind them! 

THE CLOUD
With regards to THE Cloud, it offers another kind of opportunity to 'target'. Advertisers, corporations, governments and so on, can access data that includes our online patterns of behaviour, to 'target' us with goods, services and promotions. There's a plethora of uses for this kind of data - and it is not always as benign as an advertiser targeting your Facebook page with Landrover Discovery ads moments after you have searched online for your dream car! Yes, I am keen on Discos - the old version.

That THE Cloud's operations actually exist and occur as a result of material infrastructure belies the notion of fluffy vapourous clouds. Massive servers require space in huge buildings. Servers suck energy, and they need to be connected and interconnected with cables that cross continents and oceans to ensure backup, rerouting and instantaneous reactions. The harnessing of space based assets to assist connectivity adds another layer of material infrastructure beyond Earth's atmosphere. And, in one way or another, all this infrastructure is used for both civilian and military purposes, thus blurring the lines between battlefield and city/home. 

AWARENESS VERSUS DETECTION
Like the drones in The New Clouds, are we oblivious to the pervasive surveillance into our daily activities? The drones cannot be aware or unaware, because they are not sentient. Their sensor systems simply detect or not. Yet, we have powers of awareness, but are we using them? Do our devices, constantly accompanying us in our pockets, our handbags and embedded in our cars etc transform us into nodes in a system that ultimately renders awareness obsolete and detection capabilities pragmatically more efficient?



The New Clouds is another of my dronescapes or cosmicscapes - or - maybe it's a skyscape? Whatever it is, it reflects upon the technical, philosophical, political and historical research, into contemporary militarised technology, I have undertaken for my Master of Philosophy at the University of Queensland. Happy to report that I submitted my thesis this week! And, I have around 90 works on paper, completed over the last nearly two years, that track my research progress. Now to find somewhere to exhibit them!

---------------------------


NEWS
My entry, Universal Code, for the inaugural $35,000 Ravenswood Australian Women's Art Prize has been selected as a finalist. The Award is announced on August 4.


Cheers,
Kathryn



Drone Clouds Gouache on paper 30 x 42 cm 2016


Cloud Storage Gouache on paper 30 x 42 cm 2016


Sky-Drone-Net Gouache on paper 30 x 42 cm 

No comments: