COSMIC DREAMING: SIMULATION? (EXO-PLANETS)

Cosmic Dreaming: Simulation? Oil on linen 31 x 56 cm 2018

Continuing with my 'pale blue dot' interest, I introduce you to Cosmic Dreaming: Simulation? (Exo-Planets). 

EXO-PLANETS

I was thinking about recent discoveries of potentially habitable exo-planets [example NASA site] orbiting distant stars. And, I was thinking about the unlikelihood of humans retreating to alternative planets outside our solar system in the near future, let alone the not-so-near future. That there might be life [of some kind] on these distant exo-planets is certainly intriguing though. 

But, with regards to humans travelling in space, getting to Mars is difficult enough! Plus, Mars will be obliterated, along with the rest of our solar system, when the sun reaches its final demise in around 4 billion years. So, staying within the solar system is doomed! Getting to Mars, though, is a stepping stone for all sorts of reasons. 

I was also thinking about the urgent need to look after the planet we do call home - Earth. We need to look after the planet, its non-human inhabitants and ourselves in order to sustain life. No good having escape plans, to set up home on an exo-planet, if we perish before we develop technology that will allow us to retreat elsewhere. But, this may be our fate...

SUSTAINABILITY - DREAMS - SIMULATION

While I was thinking about planetary sustainability, I was also thinking about simulation and dreams. 

So, is my painting an image from a dream, where alternative habitable planets, other 'pale blue dots', offer tantalising refuge for a beleaguered human species? Or, is the painting an image of a simulation, perhaps a game...a way to dupe us into thinking there are alternatives? The painting is not a game though.

Regular readers know of my interest in contemporary militarised technology, ubiquitous surveillance and increasingly autonomous weapon systems. While Cosmic Dreaming: Simulation? (Exo-Planets) does not refer directly to weapons or surveillance, it is linked to my dronescapes. It is linked by the cosmic perspective I take in many of my paintings. This perspective allows the viewer to fly. For example, in Cosmic Dreaming: Simulation? (Exo-Planets), are you above, below or beside the three pale blue dots? Are you on another planet, or in a spacecraft? Or, are you a spirit, a ghost from the future, maybe 10 billion years time - long after our solar system existed? Or perhaps you are a downloaded mind transmitted, ad infinitum, along an energy wave of some kind? Are you caught in some kind of simulation? 

VISION

As a painting, Cosmic Dreaming: Simulation?(Exo-Planets)offers many alternative interpretations. But, for me,  the power of human 'vision', in all its permutations - sight, insight, imagination and dreams - is an overarching consideration. This painting is, therefore, a resistance to the insidious infiltration of technological scoping, disguised as 'vision'. 

HERE ARE A COUPLE OF OTHER 'PALE BLUE DOT' PAINTINGS

       

Look again at that dot. (Sagan) Oil on linen 23 x 29.5 cm 2017

                                              Showing Them Our Home Oil on linen 30 x 56 cm 2017

Cheers,

Kathryn 

CODE EMPIRE

Code Empire Gouache on paper 56 x 76 cm 2017

In Code Empire I have painted Earth and its moon in binary code that repeats/instructs the word EMPIRE. But the full code is not seen, as it wraps around the planet and the moon. Various satellites are positioned in space, and signals radiate into - or - from outer space. 

Code Empire is a continuation of my interest in trying to portray and reflect upon the influence of contemporary digital and cyber technology in our daily lives generally, and in war and conflict specifically. 

The World Needs Artists

As regular readers know, I have a keen interest in contemporary weaponised technology, especially airborne drones, increasing autonomy in weapon systems, swarming capabilities and ubiquitous surveillance technology. Code Empire channels all these interests as well as my interest in cosmological perspective. I propose that cosmic perspectives, albeit imagined, are useful ways to critically view current global geopolitical machinations. When I say "imagined", I know some people find it hard to transport themselves beyond the here, now and the obvious - that's why the world needs artists!

Cosmic Perspective

With a cosmic perspective, a few readings of Code Empire are possible. Maybe it exposes the infiltration of militarised surveillance facilitation beyond Earth's atmosphere to dual-use communication and GPS satellites; the digital 'empire' already extended into space? If this is the case it is not just the planet enmeshed in code, but also our atmosphere and beyond. Human endeavours regarding technological development are to be marveled, but ultimately is there a human cost, perhaps not initially apparent? Researchers at the Center for the Study of Existential Risk and others have certainly determined that there are risks with accelerating developments in new technologies, including artificial intelligence. 

What if...?

Whilst Code Empire might depict Earth and the moon, it may not be an image of anything in our solar system at all! It could be another planet in another star system or galaxy - or universe, also enmeshed by code! Or, it could be 'evidence' that Earth, and possibly the universe, may be a simulation run by posthumans. My painted signals may not be radiating out from Earth, but into it from some kind of external/remote motherboard entity. It is useful to think about the idea of a posthuman simulation, because it implies that the human species no longer exists. If we are not a simulation, thinking about a post - human world might trigger more critical and urgent examinations of the role militarised-capable technology plays as a threat to human agency and wellbeing. 

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Cheers,

Kathryn

SIMULATED LANDSCAPE

Simulated Landscape Gouache and watercolour on paper 30 x 42 cm 2016

Regular readers will know that I have been using binary code in some of my recent paintings. Here's another one. 

'INSTRUCTING' AUSTRALIA
Binary code 'instructing' Australia is repeated across the outline of the Australian continent. Yet, the 'instructions' are never completed because I could not fit the code for 'Australia' into Australia...maybe the ocean covers them up? But, I quite liked that this happened. I liked that it happened because it poses questions about simulation and simulated experiences, virtual worlds and computer modeling. 

WHAT DATA?
If you were to simulate Australia, what data would you include? When I mean simulate, I mean as another world where art, music, literature, politics, religion, history, people with all their foibles, create environment, culture, modes of being and more. So, a simulation that is not simply as a land mass on a habitable planet.

If you are Australian there is likely to be a reasonable amount of data overlap with other Australians. However, if you have never visited Australia your data would be quite different. A younger person might provide different data to an older person. An Australian who has only lived in the city would provide data that is quite different to someone who has always lived in the country. An Indigenous person, for many reasons, would provide data that's different to a non-Indigenous person. A migrant would also have different information to an Indigenous or a non-Indigenous person. But, Big Data means that everyone's data would be accessible and therefore could be used to simulate Australia...scientists, archaeologists, geologists, farmers, lawyers, historians, memoirs from people long dead, children, images from satellites in space, phone records, social media use and updates, art, animals too... and the list is endless. But, would it be enough? The answer is...It could never be enough!

Virtual worlds may entice, for a variety of reasons, but when you think about it, the real world is vastly more nuanced, complex ...even beautiful and imperfect.

SIMULATED LANDSCAPE
So, my painting Simulated Landscape could be exactly that...a simulated landscape. After all, any painting of a landscape is a kind of simulation! It could also be a cosmic landscape, where Australia has become untethered from Earth and is floating as some kind of entity in space. Why? Well, who knows?! Maybe it's the source-code landscape lying somewhere, even beyond space. Wherever this 'landscape' is, there are reverberations like signals that emanate from the Australia-shaped entity.

Maybe these signals are hints that echo the melodies of music and song across millennia, the rhythms of human and non-human hearts , the inflection of endless breath, the pulses of wonder and imagination...never to be captured in mere simulation?

AUSTRALIA DAY ONLINE EXHIBITION

Keep an eye out for my Australia Day Online Exhibition which I will launch here on this BLOG on the 24 th January, two days before Australia Day. 

I am doing this for a couple of reasons, one being that I realised, when I was recently going through my image data-base, that I actually have quite a few paintings depicting Australia. And, these depictions are not landscapes of scenes [I have heaps of them] but paintings where I depict the continent of Australia.  

I also do love Australia and consider myself lucky to be Australian, so it is an exhibition of homage too. 

Cheers,
Kathryn
www.kathrynbrimblecombe-fox.com 

EXO

 Exo Gouache and watercolour on paper 21 x 30 cm 2015

EXOPLANET
'Exo' a prefix, has Greek origins. It means external, outside from. In the last few years I have been introduced to the word exoplanet, which is a planet that orbits another star ie: it is outside our solar system. Astronomers have discovered quite a number of exoplanet candidates, which then go through further analysis before they are confirmed as exoplanets. Of these a small number are considered to be orbiting in the habitable zone of their host suns. To be considered as potentially habitable, the planet must orbit in the Goldilock's Zone ie: not too hot nor too cold, thus the possibility of an environment that may support human life. Or, the other tantalising possibility is that an alien life may exist on these planets.

Previous exoplanet posts!
Super Earths
New World Habitability: Vacation Anyone?
Entrance

EXODUS
'Exodus' is a noun, again with Greek origins, that means a mass departure of people...to somewhere 'outside of' or 'external to' a place of origin. The discovery of exoplanets has some people dreaming of alternative planetary 'homes' for us humans. For example as the Earth tumbles towards its demise, whether human induced or not, maybe there are places we humans can escape to? The only problem is that identified potentially habitable exoplanets are a looooong way from Earth, with present propulsion technology delivering us there in multiple hundreds of thousands of years. We'd need to develop speed of light travel to drastically reduce travelling time...let alone various other issues.

Previous 'Exodus' post:
Home

EXO
My painting  Exo [above] could be of an exoplanet, but then again it could be something else that's outside or external...but from what? Maybe it is another universe? Maybe it's inspiration, freedom, a speck of dust, a thought...waiting to be grasped?

Yes, Exo it is one of my cosmic landscapes that can be 'read' as something vast at the same time as something intimate. By playing with perspective I try yo give a sense of movement or travelling...perhaps a speed of light kind of travel?

Exodus Gouache and watercolour on paper 34.5 x 44 cm 2015

EXODUS
In Exodus I imagine humans having to flee Earth to take up 'residence' on a distant planet....an exoplanet identified as welcoming! In this painting a person is glued to their computer, while a rocket takes off with a flight path that sees it traverse space before 'leaving' the known to venture into the unknown beyond the painting. 

Here's a 'haves and haves not' scenario for you! I imagine that some people will be chosen to leave and others will be convinced, through simulation, that they are also to leave. But, because life has become a simulated 'experience' they are unaware that mortal death actually awaits them. I wrote this short poem a couple of years ago for my Flick of a Switch post: 

It’s time for Earthlings to flee their dying planet. Another home had been prepared. The ships have been built and one by one the people come, ready to embark.

The nervous excitement soars as count-down is commenced.

The last few seconds... 3-2-1

Blast off!

A sensation of flight.

For some, the simulated experience is so comforting that mortal death arrives before they realise it.

For others ...a new life!

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Exo and Exodus are part of my ongoing series looking into the future of humanity, ideas of untethering landscape from Earth-bound horizons, posthuman futures, age-old symbols and more....

Please check out some of my recent posts: 

A Posthuman Habitat?

Two Humans: Uploaded 

Human Landscape

Text and Code

Picturing the Posthuman

Cheers,

Kathryn

www.kathrynbrimblecombe-fox.com 

A POSTHUMAN 'HABITAT'?

I am Am I? Gouache and watercolour on paper 30 x 42 cm 2015

This new painting [above] follows on from some other recent paintings where I have incorporated binary code. 

In I am Am I? I have repeated binary code 'instructing' the words I am, I AM, Am I?. 

These 'instructed' words exist outside some kind of portal which maybe a destination or possibly it's a place of departure...a place already left behind? Yet, you can still see, although faintly, the markings of this place under the dark blue. Maybe the blue is a sheath that co-exists in parallel with what seems to be a  more colourful world beyond? Maybe this sheath is another kind of 'habitat', one where downloaded minds, in a posthuman future, might 'exist'. This sheath could be some kind of a sophisticated superconductor, holding everything together? The small trees, my interpretations of the age-old transcultural/religious symbol of the tree-of-life, are reminders of human embodied existence. I have placed them alongside the binary code to indicate that they are also 'code'. In a posthuman future the tree symbol may embed  a  'code' that simulates human feelings, emotions, desires and more? 

If minds are downloaded for an 'existence' in a posthuman future surely questions about I would be significant...but then again maybe not...hence the ????

So...these downloaded minds may have 'left' the world glimpsed through the portal in the middle of the painting. Maybe it was the only way to escape some kind of apocalyptic situation that threatened the extinction of humanity and the annihilation of Earth? 

The place seen through the portal may be the past, or possibly the future.

What do you think?

As you can tell, I am having fun with these new paintings. 

And, yes...this is another painting that I would call a cosmic landscapes!

Other recent posts and paintings are:

Two Humans: Uploaded 

Human Landscape

Text and Code

Picturing the Posthuman

Cheers,

Kathryn

www.kathrynbrimblecombe-fox.com 

UNIVERSAL CODE

Universal Code Oil on linen 92 x 102 cm

 

 

CODE

Code...it really has grabbed my attention. There are four recent paintings to prove it. I've written about two of them Code and Where there's Life There's... And, now Universal Code above. The fourth painting is yet to be completed. You will see it soon, here on this BLOG.

 

The word code is a loaded one. It conjures thoughts of secrecy, war time decoding of enemy messages, morse code and secret service type manoeuvrings. Then we have a more secular use of code that embraces body language, innuendo, sarcasm...you know the type of thing...when someone is not saying clearly what they mean, but seem to think [or hope] others will understand. And, then we have computer code.

 

COMPUTER CODE

And, computer code propels so much of our lives, from daily tasks to major research, from BPAY to high frequency market trading and more. I am sitting in front of my computer, writing this post, and code is working in the background enabling my words to appear, even correcting them. Code is helping me produce and communicate. And, of course there is the insidious aspect of code enabling surveillance, secrecy, data collection, cyber malevolence, manipulation and more. And, let's not forget the double-edged prospect of artificial general intelligence ie: artificial intelligence akin to, and perhaps exceeding, human intelligence.    

 

But, my paintings are not literally about code...I am not a computer scientist nor an IT specialist. However, I do have an IT specialist brother and my Dad is a decades-long HAM Radio enthusiast with a keen interest in, and knowledge about, technology.

 

BINARY CODE

As with my last two 'code' paintings  Code and Where there's Life There's... my new painting Universal Code has a ribbon-like trail of binary code, repeatedly expressing the word LIFE.

 

Here's a very useful and interesting link that briefly discusses the history of binary code and its importance. Indeed, the first two sentences on the site, All computer language is based on binary code. It is the back end of all computer functioning. very clearly shows how important binary code is. And, what is absolutely fascinating is that binary code's history flows from Sanscrit, to the 17th century philosopher and mathematician Gottfried Leibniz, to people like Alan Turing and Sir Tim Berners-Lee...and the plethora of others who make pivotal technological breakthroughs. 

 

The ribbon of LIFE binary code in Universal Code has a wave-like appearance. But, it appears to be a closed ribbon cradling a pulsing orb at the same time as seemingly 'withholding' external forces. Yet whilst the ribbon may appear closed, there is a tunnel-like feeling, as if the viewer is being drawn towards the golden orb or possibly catapulted from it. This gives the impression that we have travelled, or can travel, through a number of these ribbon-like sequences of code, either towards or away from the orb. When painting Universal Code I wanted to create a dynamic resonance of movement, agitation and energy. The way the paint cascades out from the orb suggests a multi-dimensionality of space...and maybe time too. Funnily enough it also suggests a birth canal or maybe the light seen upon death?

Detail of Universal Code

 

 

SIMULATION

I was also thinking about Prof Nick Bostrom's theory that all of universal existence is, in fact, a computer simulation operated by post-humans re-living existence. Here's his initial paper Are You Living In A Computer Simulation? You can also read more about the theory, with contributions from others HERE. I've previously written about how this intriguing and difficult theory has inspired some of my work. I am not saying I completely understand it, but its possibility is enormously thought provoking.

 

What is Universal Code's golden orb? Some might say it is the Sun. Others might think it is the Big Bang. Or it could be a star, a planet, an atom even. Well it could be all of these things and more. Any one of these would suggest that the painting is a landscape...a landscape of the Universe! And, regular readers know of my desire to untether concepts of landscape from Earth-bound horizons.

 

Or, maybe the orb is the highly sophisticated post-human 'computer' generating code which re-creates, maybe over and over again, in a kind of looping manner, all of existence. My repetition of LIFE in binary code sets up the potential for many looping re-creations! BUT...if we are a simulation run by post-humans, we are neither alive nor dead! Gee whizz that's a sobering thought! But, if we are not a simulation, there's an imperative for LIFE to continue. I did not include the code for DEATH, because whether we are a simulation or not, LIFE is a propelling force. It is a primary force, which axiomatically, includes concepts of DEATH anyway.

 

If we are living in a computer simulation the word LIFE certainly takes on different meanings. Indeed, to reduce LIFE to code provokes many existential questions. In fact, it is an important catalyst for reflection. And, that's why I think it is imperative that humankind pays attention to scientists, philosophers and anyone who thoughtfully poses questions about human endeavour.

 

Cheers,

Kathryn

www.kathrynbrimblecombe-fox.com

WHERE THERE'S LIFE THERE'S...

Where There's Life There's... Oil on linen 92 x 102 cm 2015

In a recent post In Sight I wrote about an article Terminator Robots and AI Risk by Meia Chita-Tegmark. She is a PhD candidate at Boston University and a co-founder of the Future Of Life Institute, a research think- tank focused on mitigating existential risks, including those posed by human level artificial intelligence [AI].

Chita-Tegmark's article discussed how we humans 'embody' fears of artificial intelligence in the form of killer/terminator malevolent robots, often fantastically portrayed in science fiction movies. She suggests this is a misplaced fear, because the really frightening issue about AI is that it's mostly unseen...unseen code...strings of zeros and ones. She writes It's almost like we need to give our fears an embodied anchor or it's not scary anymore. But what is the price we pay for the sensation of fear that we need to nurture through embodied representations? I believe the price is blindness to the real danger. She goes on to say Evolution has not equipped us to deal with such ghostly entities that don't come in the form of steel skeletons with red shiny eyes, but in the form of menacing arrangements of zeros and ones.

So please read Chita-Tegmarks article  because....!!

it inspired my painting :

Where There's Life There's...

The painting is a landscape, but no 'normal' landscape. Why? Because it attempts to track the unseen code of life. Yep, that's it! Needless to say there are a few BIG questions. Is this code expressed by the tree, my much loved age-old transcultural/religious tree-of-life, with all its spiritual, visceral, cultural, religious, biological, vascular-like, symbolic contingencies and more? All those things that propel life and we take for granted.

Or, is there another kind of code? If you look closely [see detail images below] I have repeatedly painted LIFE in binary code, as if it is an extension of one of the tree's branches. Remnants of the branch appear intermittently along the binary code's trajectory, until they no longer appear...or maybe are not needed?

More questions:

Is the code of zeros and ones attempting to mimic life? Or, is it attempting to replace life with something completely alien? Is its intent to augment life or hijack it? Does it even have 'intent'? Even proposing 'intent' gives AI human-like qualities and this maybe dangerous too.

Chita-Tegmark's description of menacing arrangements of zeros and ones does not, upon initial sight, apply to the zeros and ones in my painting. My zeros and ones, I think, are quite beautiful and languid. They almost dance across the 'landscape' like a swarm of small butterflies. But, this is where the menace lies, don't you think? Mimicry is normally for seductive purposes and we humans certainly have been seduced by unseen zeros and ones...think of social media, data collection, online buying and selling and so much more. Zeros and ones re-purpose and control so much of our lives!

DETAIL Where There's Life There's...

Chita-Tegmark explains, in reference to unseen menacing arrangements of zeros and ones....

So, even if we do not feel the fear, we need to understand it.

I agree. And, suggest that art is a way of making 'visible' the unseen...not in a didactic or merely illustrative way, but in a suggestive, conversational and playful way, that provokes questions and wonderings.

   DETAIL Where There's Life There's...

Where There's Life There's...

The title of my painting plays on the old saying...Where there's life there's hope

BUT

MAYBE

The new 'old saying' is:

Where there's life there's code

Ok ...let's lighten it up a bit:

Where there's life there's joy - love - laughter - LIFE

I like to think the roots of my tree in Where There's Life There's... hold hopeful clues!

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You might like to also read:

Watching the Universe

Embracing the Accidental and Being Human

Looking Out The Windows

NEWS

I went to the most marvellous stand-up comedy gig last week.

Robin Ince

Happiness Through Science

I can honestly say this was one of the most passionate, intelligent, inspiring events I have been to in a long time. Robin was meant to perform for 90 mins, but he went way over time...and nobody minded.

MORETON BAY ART AWARD

Here's the painting that has been selected as a finalist for the Moreton Bay Art Award, packed up and ready to go. Actually the carrier has already been and it's on its way. The award is announced Friday 15 May.

Cheers,

Kathryn

www.kathrynbrimblecombe-fox.com

COUNT DOWN

Towards The Past and Future Gouache on paper 2013

 

 

Count Down has begun for my exhibition COSMIC ADDRESS! The doors are open from Tuesday 15 October... 3 weeks away. The exhibition will end on Sunday 27 October. 

 

I rather like the term 'Count Down' in reference to an exhibition called COSMIC ADDRESS.

 

Let me explain...as well as I can.

There are a few things that have lead me to wonder...and wonder.

 

One is this most fascinating article A Jewel At The heart Of Quantum Physics by Natalie Wolchova in Quanta Magazine . It is about the fact that Physicists have discovered a jewel-shaped geometric object that challenges the notion that space and time are fundamental constituents of nature.

 

The geometric object is an amplituhedron...yes an amplituhedron!

 

Here are a few quotes, but please read the whole article and the comments it has attracted.

 

.....the new geometric approach to particle interactions removes locality and unitarity from its starting assumptions. The amplituhedron is not built out of space-time and probabilities; these properties merely arise as consequences of the jewel’s geometry. The usual picture of space and time, and particles moving around in them, is a construct.

 

And: 

 

But the new amplituhedron research suggests space-time, and therefore dimensions, may be illusory anyway.

 

And:

 

Beyond making calculations easier or possibly leading the way to quantum gravity, the discovery of the amplituhedron could cause an even more profound shift, Arkani-Hamed said. That is, giving up space and time as fundamental constituents of nature and figuring out how the Big Bang and cosmological evolution of the universe arose out of pure geometry.

 

Ye gads! Holy mackerel! Hey what!

 

Where does all of that place a COSMIC ADDRESS?

 

 

Shadow's Secret Gouache on paper 2013

 

 

I did say there were a few things that have made me wonder...

 

SIMULATION

The next is  Prof Nick Bostrom's idea that we are living in a simulation, somehow determined by a post-human project/'life' of re-'living' humanity's history. But, there's more, the simulation includes the creation/re-creation of the Universe...even the multiverse. So, it's a pretty stupendous simulation! These poor post-humans essentially have no life of their own...they just recapture memory...certainly not a pathway to Utopia one would think?! Could be more Kafkaesque?

 

LIVING INSIDE A COMPUTER

So, we maybe living inside a computer? But, then again we may not? But if, indeed, we are living inside a computer it would have to be a really magnificent computer and probably not recognisable as a computer to us, otherwise we'd detect the subtext, the guile, the subterfuge...wouldn't we? But, as the Professor writes, if someone did detect something, the post-human simulators could eradicate the memory of detection, wipe the slate clean...and the simulation would continue.

 

But....maybe the Professor's postulation is a sign of the simulation itself...maybe an undetected leakage from the post-human future or maybe a deliberate play...a teasing loop?

 

And...maybe... the discovery of the amplituhedron, and it's indication that time and space are illusions, is evidence that the simulation postulation is indeed plausible?

 

So, if we are living in a computer simulation, it would be fair to say that we are, in French philosopher Jean Baudrillard's seductive terms, fatally mediated. Because, if we are living in a simulation based on 'memory', the world has already come to an end. Our fundamental destiny is not to exist and survive, as we think: it is to appear and disappear.**

 

 

Cosmic Ouroboros  Oil on linen 120 x 150 cm 2012

 

And,

 

When I was very young, laying awake at night or gazing out the school bus windows, I used to wonder if Life was orchestrated by someone or something that moved us and everything else around like pieces of a board game. I remember thinking that whoever/whatever was in control would have to think of a lot! But, I also thought it would be great fun...

 

But:

 

Back to COSMIC ADDRESS:

If time and space are illusions then a COUNT DOWN and an ADDRESS are actually illusions too! Why... because counting, in this way, is a 'measurement' of time and an address is normally a place in a geographic space. And a COSMIC ADDRESS is situated in time and space...seemingly so anyway.

 

The three paintings above will be in COSMIC ADDRESS.

 

 

** Baudrillard, J. Fatal Strategies, Semiotext[e], Columbia University, NY, 1990 P. 175

 

 

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COSMIC ADDRESS:

Earth Maybe Our Home But The Universe Is Our Environment

Solo Exhibition

 

BRISBANE

15-27 October

 

Graydon Gallery

29 Merthyr Rd, New Farm, Brisbane, Queensland, Australia, Earth, The Universe

 

Please check out  my

 

COSMIC ADDRESS PAGE

 

for all the details!

 

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 If you have not already done so, please read my last post Putting On A Show

 

Cheers,

Kathryn

www.kathrynbrimblecombe-fox.com