Anomaly Detection Gouache and watercolour on paper 56 x 76 cm 2017
The term anomaly detection is a technical one. It is an automatic system for detecting unusual behaviour, patterns or occurrences in, for example, live or stored data, such as film footage. Anomaly detection can allow preemptive actions. Regarding military drones the identification of anomalous behaviour, for example multiple vehicles moving at speed from different directions towards one destination, can trigger an alert for increased surveillance and readiness for potential attack. A drone's wide area surveillance capabilities mean expansive areas can be surveilled, and sophisticated detection and recognition algorithms are employed as another layer of surveillance monitoring. In civilian arenas anomaly detection systems are useful for a variety of monitoring requirements that range from security to environmental protections and more.
In Anomaly Detection I have turned drone surveillance on its head. Here, I have painted the drones as if pixelated, as if a detection and recognition algorithm has detected the anomalous behaviour of three armed drones converging on the tree-of-life hovering at the center of the image. The viewer of the painting could be monitoring the drones from the ground, looking up - or - from the sky/space looking down. In this way the viewer becomes aware of the power of perspective, even in imagination.
Cosmic perspectives implore us to seek distance, both close and far, as a way to examine ourselves and the planet. From vast distances it becomes obvious that planet Earth, despite discoveries of possible habitable exo-planets, is our only home for the foreseeable [and beyond] future. We need to look after the planet and ourselves. By exploring perspective and engaging with multiple perspectives maybe we'll discover more anomalies that highlight risk in ways that trigger precautionary, preemptive, restorative and pro-actionary activities?
I am really pleased with this painting - I actually think it is quite beautiful - in a way that achingly screams for the tree-of-life's survival in the face of potential destruction.
I am very excited about the interview the Center for the Study of the Drone conducted with me. The Centre is
“an interdisciplinary research institution that examines the novel and complex
opportunities and challenges presented by unmanned systems technologies in both
the military and civilian sphere”.
BODY OF WORK
Top: Through the Mists of Time Alternative Ways of Being
Middle: Between Existences Persistent Surveillance and Strike
Bottom: Swarm Surveillance Across Time and Space
Not all my recent paintings feature the figure of the drone. However, some feature a drone's surveillance features, such as signals. Others feature the tree-of-life in cosmic landscapes. Whilst individual paintings can stand alone, a body of work gives space for paintings to play off each other. By playing off each other certain aspects of imagery take on 'loaded' meanings that may not be otherwise evident.
It is often interesting to look at much earlier work to place it with recent work. I don't know about you, but with the figure of the drone and its capabilities in mind the paintings below take on an urgent reminder of our need to look after ourselves and the planet.