FALLING OUT INTO IT

Falling Out Into It Oil on linen 70 x 120 cm 2014
[Inspired By Time Winton]

At night in the desert the sky sucks at you, star-by-star, galaxy-by-galaxy. You feel as if you could fall out into it at any moment. It's terrifyingly vertiginous.

[Quote: 'Wild Brown Land' an edited transcript in 'The Australian' December 14, 2013 of The Island Seen and Felt: Some Thoughts About Landscapes by well known Australian author Tim Winton, presented to the Royal Academy, London, November 14, 2013.] You can listen to the speech HERE

AMAZING WORDS
Tim Winton's words are amazing. When I read them, and others, images popped into my head and resonances were deeply felt. In a recent post  ENCOUNTERING LANDSCAPE I write more generally about the speech and my reaction to it. However, there are some phrases that have stayed with me, their words mulled over, eliciting the kind images in my mind that asked to be painted.

I grew up on a grain farm on the flat treeless Pirrinuan Plain, outside Dalby on the Darling Downs, Queensland, Australia. I remember vertiginous feelings when, as a child, I'd lie on soft clover staring at the sky. I remember my Dad had a marvellous vegetable garden that also grew the lushest clover. I'd lay down on it and immediately feel like I was flying and sinking at the same time...that is until the day I noticed the prickles had started to form!

The vast sky of my childhood, uninterrupted by mountains or trees, has stayed with me. During the day it was mostly a relentless blue. But, now and then storm clouds would roll majestically across the plain. These clouds, nuanced with colours of grey, black and indigo blue were sometimes tinged with a green hue, a sign of hail. At night the sky, if uncluttered by clouds, glittered with the Milky Way, a swathe of jewel-like lights. My grandmother, a keen star gazer, often took my brothers and me out into the night to see various constellations, our necks bent back so we could take it all in. However, a stormy night sky was another experience. Lightning giving momentary spotlight to features we knew well, as if demanding us to take notice.

'...FALL OUT INTO IT.'
So, the quote from Tim Winton's speech grabbed my attention! The significant bit is fall out into it. Not fall out from it, but fall out into it, as if gravity might release its grip on us. These beautifully simple few words capture so much of my thoughts about perspective, distance...and the possibilities that new ways of seeing, new perspectives, can reveal different questions and answers to the issues that plague humanity.

We possibly need to feel a sense of terrifying vertigo in order to disrupt the norm, to recalibrate senses, to disturb the status quo, to re-ignite awe and wonder...and more. To deliberately welcome this kind of disruption, and even agitate for it, is quite subversive, don't you think? Agitation does not have to be outrageous, aggressive or in-your-face. Indeed, maybe a deliberately
contemplative state leading to a kind of dizziness that helps to ultimately shift perspective is more revolutionary than trying really hard to make a point via didactic means, aggressive and not? Maybe, lying down on the grass to stare at the sky, welcoming that sense of falling into it, is all we need to do, both literally and metaphorically. Yes, let's look up from our smart phones and computers!

I love the idea of 'falling out into it' for another, but related reason. Regular readers will know of my interest in untethering notions of 'landscape' from Earth-bound horizons. The idea of 'falling out into it'...into the Universe...is a way to assist imagination to grasp the concept! The cosmos is calling, imploring...

Falling Out Into It Oil on linen 70 x 120 cm 2014
So, to my new painting. With Falling Out Into It I wanted to create a 'landscape' that was ambiguous in orientation and locale. I wanted a sense of transparency where parts of the landscape revealed the cosmos through itself, as if the viewer could move into and beyond the 'landscape', like a traveller through time and matter, ultimately becoming time and matter... or maybe remembering them? I wanted to create a sense that the viewer was literally falling out into the night sky, the Universe. Yet, there's a possibility of grabbing onto the 'landscape' of mountains too, before letting go and travelling further...! Metaphorically speaking...think of the possibilities for psyche.

Falling Out Into It is similar to another painting I did last year. Multiple Landscapes [below] also has a sense of disorientation. It's a painting that explores the possibility of seeing multiple perspectives, even simultaneously. And, I'd suggest that in a vertiginous state one would see multiple landscapes especially if you kept your eyes open! Now there's a clue....

Multiple Landscapes Oil on linen 80 x 140 cm 2013

Happy New Year to you all!
Cheers,
Kathryn

MULTIPLE LANDSCAPES

Multiple Landscapes Oil on linen 80 x 140 cm

In this post:

 

1. Some words for Multiple Landscapes

2. Photos of Multiple Landscapes in progress

 3. Finalist in 'Seeing Stars' Art Award. Hosted by the SKA [Square Kilometre Array, the world's largest telescope]

 

1. Multiple Landscapes
Regular readers will know of my interest in the concept of seeing multiple perspectives, literal and metaphoric. I suggest that skills in seeing multiple perspectives, even simultaneously, are imperative as we move through the 21st century. The cavalcades of new discoveries about the Universe demand it.

So, to my new painting Multiple Landscapes. Yes, it is a 'loaded' title. It can be 'read' as a painting of
two literal landscapes, maybe even more if the viewer sees landscape in the negative spaces. Yet, I was thinking a bit more deeply than that! These are some of those thoughts [but not all of them!!!]:

MACRO-MICRO

•  The landscape on the right is representative of the macro world, the world of vastness, great size and distance. The other, almost 'mirror' landscape, is representative of the micro world, that dimension that embraces its own type of vastness, one that cannot be seen, yet holds energy forces that drive existence. The two 'sides' of landscape encapsulate the concept of the ouroboros, the age-old symbol of the snake eating its own tail, used by modern cosmologists to visually describe the relationship between the cosmic and quantum worlds. Regular readers will know that I have used this symbol in my paintings. Here are a couple of links COSMIC OUROBOROS and OUROBOROS

PSYCHE

• I was thinking that 'landscape' is a metaphor for psyche. The seemingly mirrored landscapes in Multiple Landscapes could be variously the conscious and subconscious, the ego and shadow, order and disorder, being awake and dreaming. The negative spaces offer a tantalising suggestion that there's more to discover.

AMBIGUITY

• I was keen to make the orientation of the landscapes somewhat ambiguous. Yet, as I have presented the painting above ie: horizontally, the tops of the mountains 'read' as the horizon. Yet, the 'bottom' of the landscapes can also be 'read' as an horizon. When flipped on its side the painting takes on another perspective.

UN-TETHERING LANDSCAPE

• Regular readers will know of my interest in un-tethering concepts of landscape from being Earth-bound. In an age where cosmological research is revealing more and more about the close and far distances of the Universe, I believe it is important that concepts of 'landscape' extend to embrace cosmic perspectives. Why? Because these kinds of perspective clearly show that Earth is our home and the Universe is our environment. We have nowhere else to go [at least for the long present!], so we'd better look after our home. With Multiple Landscapes I was also thinking about a Universal 'landscape' that reaches across time and space. I have previously written about my ideas on un-tethering landscape...here's one previous post UNTETHERED LANDSCAPE
• A recent article 'Can The U.S. Create A National Park On The Moon' reveals a lot about attachment. It also scarily heralds a need to really question our behaviour towards 'landscape' in the broadest sense. Imagine if Earthly nations started pegging out Space, colonising with a national identity. 'Navel gazing' leads to small horizons and potentially dangerous actions, because the perspective used is not multi-dimensional.

2. Photos of Multiple Landscapes in progress:

There are more photos in my last post INSPIRATION AND PROCESS

  Early preparation

 Building the layers of colour

Time to ponder is an important part of my process...I sit and ponder - What next?...if anything. Pondering gives time for the realisation that something may or may not need more.

 

3. 'Seeing Stars' Art Award

My painting Where? [image below] is a finalist in the 'Seeing Stars' Art Award.

'Seeing Stars' is a celebration of art and astronomy inspired by the world's largest telescope - the Square Kilometre Array (SKA) which will be co-hosted here in Australia. 

Click HERE to find details of the finalists. When you are on the page, click OPEN FINALISTS and you will be taken to a page which shows all the finalists artwork.

There were around 2,000 entries with 177 finalists. I am very excited about my painting being one of them.

I will be sending Where? to Melbourne for the exhibition of finalists works, which will be at Federation Square from August 13. The judges will be deciding a winner at this.

VOTE:
You can be involved too. There's a vote for a 'People's Choice'. On the page of images 'Where?' is first on the third row...that's if you want to vote for me!!! To vote...for any work...you tick 'My Favourite' and then at the top of the page there is a 'Submit' button.

I previously wrote about Where? in a post called LOOKING IN THE REAR VISION MIRROR

 

For more information about the SKA...and it is exciting and fascinating...please click HERE

Where? Oil on linen 50 x 50 cm 2013

Oh...and one last thing...please check out my new page COSMIC ADDRESS ...getting ready for my solo exhibition COSMIC ADDRESS in Brisbane in October!


Until next time!
Cheers,
Kathryn
www.kathrynbrimblecombe-fox.com

STORMY WEATHER: WHERE?

 Stormy Weather: Where? Oil on linen 120 x 150 cm 2013

Recently I have been painting lightning, storms, rain...the weather. But, is it Earth's weather or is it from somewhere else? My answer; up to you! Is it literal or metaphoric weather...or both? My answer is both. 'Storms' brew within us, deep inside our emotions, our psyches. Sometimes they are small skirmishes, sometimes they are wild and apocalyptic. Storms, whether literal or not, urge...beg...for change to happen.

Here in Brisbane, late last year, we experienced some wild storms, showcasing nature's elements of wind, rain, lightning, dark clouds, hail and more. I painted a couple of paintings inspired by these stormy experiences which also triggered memories of storms across the flat black soil plain of my childhood home. Please check out STORM and NIGHT TIME ELECTRIC STORM

In more recent weeks Australia has been burning. Bush fires dot the country, threatening homes, businesses, livestock, natural flora and fauna and more. There are many reports of ferocious flames licking skies and fire fronts bellowed by hot winds. Many farmers lament the difficulties in gaining licenses to back burn abundant, but dried off, fuel across bush and grass lands. Back burning during cooler months, particularly after good wet seasons which produce glorious growth, is something farmers have historically undertaken with care. The Aborigines also back/controlled burned for eons. Check out this article and this article  as introductions to the burn off debate.

The drastic and sad thing is....a number of the recent fires have been ignited by lighting strikes. During wild and windy, but rain-less storms, lightning can easily ignite dried off vegetation and bush detritus. The ensuing change is dramatic and fierce.

STORMY WEATHER: WHERE?
I put the WHERE? in the title to provoke questions. Some may ask, 'Is the storm in Queensland?' or 'Is it a storm out west? Others may ask, 'Kathryn, what planet are you on with this one?' Yet, how many would ask questions about the psyche? What emotional 'storms' affect you as an individual? What 'storms' affect humanity as a whole? Paradigm shifting...maybe?!

I suggest that all these questions [and more] and their many answers, mediate assumed notions of what 'landscape' really is. Please check out my previous post WHEN IT RAINED ON MARS?  and UNTETHERING LANDSCAPE: REVOLUTIONARY?

In a recent conversation my brother Wilfred Brimblecombe  also suggested to me that the human body, from cells to organs, is a mass of ongoing 'storms'...impulses, surges, energy bursts, thumping and pumping...even while we sleep. Indeed, the 'cosmos' within propels us in life, in a dance with the cosmos beyond. Please check out previous post BODY AS SITE

In STORMY WEATHER: WHERE? a flash of lighting lights up a dark and turbulent night sky. The lightning strikes the ground emitting a red potency through the 'landscape'. In the distance, on the right, a strip of rain falls. This rain is red, like blood...like fire...life giving and renewing. On the left a small red tree rises from the potent vein. Regular readers will identify the tree as my much loved age-old trans-cultural/religious tree-of-life. For me this symbol 'speaks' of all life throughout all history...and that includes pre and post human history...beyond humanity's collective egocentric reach.

In the aftermath of fire, rain falls, small seedlings emerge...life.

COSMOLOGY

@ Purgatory Artspace

Exhibition 30 January - 16 February

I have created a COSMOLOGY page: It has all the details and more images 

Please check it out HERE 

My paintings for COSMOLOGY left this morning. They are on their way to Melbourne. 

Packed paintings for COSMOLOGY ready to go to Melbourne

SUMMER IN BRISBANE 

For readers who have never been to Brisbane I found this BLOG which features a post 'Sub Tropical Summer' of photographs showcasing our glorious colour, vegetation, skies and more.  

TASMANIAN HOLIDAY ANYONE?

Friends of mine own and run Bicheno By The Bay holiday resort. Bicheno was very close to the devastating fires that blazed through Tasmania last week. Thankfully the small seaside town avoided the firestorm. If you want a lovely, low key, natural, relaxed holiday think of Bicheno By The Bay. I plan to get down there sometime this summer or next. One of my children has been there twice and loves it. Below is a photo of the resort taken from the air. Looks great don't you think!!!!

Cheers,

Kathryn