STORMY WEATHER: WHERE?

 Stormy Weather: Where? Oil on linen 120 x 150 cm 2013

Recently I have been painting lightning, storms, rain...the weather. But, is it Earth's weather or is it from somewhere else? My answer; up to you! Is it literal or metaphoric weather...or both? My answer is both. 'Storms' brew within us, deep inside our emotions, our psyches. Sometimes they are small skirmishes, sometimes they are wild and apocalyptic. Storms, whether literal or not, urge...beg...for change to happen.

Here in Brisbane, late last year, we experienced some wild storms, showcasing nature's elements of wind, rain, lightning, dark clouds, hail and more. I painted a couple of paintings inspired by these stormy experiences which also triggered memories of storms across the flat black soil plain of my childhood home. Please check out STORM and NIGHT TIME ELECTRIC STORM

In more recent weeks Australia has been burning. Bush fires dot the country, threatening homes, businesses, livestock, natural flora and fauna and more. There are many reports of ferocious flames licking skies and fire fronts bellowed by hot winds. Many farmers lament the difficulties in gaining licenses to back burn abundant, but dried off, fuel across bush and grass lands. Back burning during cooler months, particularly after good wet seasons which produce glorious growth, is something farmers have historically undertaken with care. The Aborigines also back/controlled burned for eons. Check out this article and this article  as introductions to the burn off debate.

The drastic and sad thing is....a number of the recent fires have been ignited by lighting strikes. During wild and windy, but rain-less storms, lightning can easily ignite dried off vegetation and bush detritus. The ensuing change is dramatic and fierce.

STORMY WEATHER: WHERE?
I put the WHERE? in the title to provoke questions. Some may ask, 'Is the storm in Queensland?' or 'Is it a storm out west? Others may ask, 'Kathryn, what planet are you on with this one?' Yet, how many would ask questions about the psyche? What emotional 'storms' affect you as an individual? What 'storms' affect humanity as a whole? Paradigm shifting...maybe?!

I suggest that all these questions [and more] and their many answers, mediate assumed notions of what 'landscape' really is. Please check out my previous post WHEN IT RAINED ON MARS?  and UNTETHERING LANDSCAPE: REVOLUTIONARY?

In a recent conversation my brother Wilfred Brimblecombe  also suggested to me that the human body, from cells to organs, is a mass of ongoing 'storms'...impulses, surges, energy bursts, thumping and pumping...even while we sleep. Indeed, the 'cosmos' within propels us in life, in a dance with the cosmos beyond. Please check out previous post BODY AS SITE

In STORMY WEATHER: WHERE? a flash of lighting lights up a dark and turbulent night sky. The lightning strikes the ground emitting a red potency through the 'landscape'. In the distance, on the right, a strip of rain falls. This rain is red, like blood...like fire...life giving and renewing. On the left a small red tree rises from the potent vein. Regular readers will identify the tree as my much loved age-old trans-cultural/religious tree-of-life. For me this symbol 'speaks' of all life throughout all history...and that includes pre and post human history...beyond humanity's collective egocentric reach.

In the aftermath of fire, rain falls, small seedlings emerge...life.

COSMOLOGY

@ Purgatory Artspace

Exhibition 30 January - 16 February

I have created a COSMOLOGY page: It has all the details and more images 

Please check it out HERE 

My paintings for COSMOLOGY left this morning. They are on their way to Melbourne. 

Packed paintings for COSMOLOGY ready to go to Melbourne

SUMMER IN BRISBANE 

For readers who have never been to Brisbane I found this BLOG which features a post 'Sub Tropical Summer' of photographs showcasing our glorious colour, vegetation, skies and more.  

TASMANIAN HOLIDAY ANYONE?

Friends of mine own and run Bicheno By The Bay holiday resort. Bicheno was very close to the devastating fires that blazed through Tasmania last week. Thankfully the small seaside town avoided the firestorm. If you want a lovely, low key, natural, relaxed holiday think of Bicheno By The Bay. I plan to get down there sometime this summer or next. One of my children has been there twice and loves it. Below is a photo of the resort taken from the air. Looks great don't you think!!!!

Cheers,

Kathryn

AFTER THE IMPLOSION

                                                                      Sharing The Spaces

                                                                    After The Implosion

I started writing this [below] for a letter to a newspaper, but it got too long...so here it is for you instead!

THE IMPLOSION
Media commentary on the global financial implosion is peppered with key descriptive words which have seemingly gone unscrutinised under the deluge of blame, fear and doom reporting and rhetoric. Words such as ‘bubble’, ‘magical’, ‘fantasy’, ‘unreal’, ‘dreamland’ and ‘nothing’ describe the antithesis of reality, yet they hold clues to identifying the underlying motivational [albeit not necessarily conscious] reason for the financial and economic turmoil which has swept swiftly throughout the globe. This reason goes beyond Gordon Gekko’s simple and obvious greed.

Over the last twenty to thirty years postmodernism's distortion into slippery yet seductive narcissistic tendencies and a love of simulacra has insidiously infiltrated many of society’s institutions via memetic means. Narcissism is characterised by a self worship, which proclaims a right to flout rules and regulations, at the same time as making them up for others, who abide only to find the rules change in a nano second, or they are so complex multiple interpretations confuse. Narcissism’s passive-aggressive qualities dupe people into thinking someone cares making sympathy a tool to emotionally colonise the poor, underprivileged and powerless. Conversely the latter [along with everyone else] succumb to the narcissistic seduction by believing they can have a house, a car or whatever without concrete obligation.

The slippery and swift manoeuvring of ‘dud’ deals into packaged ‘investment’ entities to offload onto someone else is narcissism’s game, aided and abetted by simulation. The simulated experience is also seductive because an escape to a fantasy world where everything is available and abundant seems possible. The sub prime debacle is an example of simulacra vanishing in the face of ‘authentic’ experiences of ‘real life’, one example being interest rate rises. The debacle whipped the rug from under narcissism’s feet causing the economic ‘house of cards’ largely built from more simulacra to collapse.

Society’s core values have been hijacked by the underbelly of post modernism’s narcissistic inability to share. Lack of emotion, except for selfish and sensationalist emotional displays designed to manipulate, is a characteristic of narcissism. In varying degrees this behaviour is part of normal teenage development, so perhaps the crisis is a wake-up call to grow up! The world currently has deeply bended knees. The hope is that when the world jumps it actually moves and does not land on the same spot becoming the arrested teenager. The latter is unlikely because the crisis is very serious and the need for new paradigms supported by core values which embrace the experiences of a world where globalisation has collapsed the distance of difference is obvious.

The implosion could be seen as an inevitable aspect of post modernism’s demise and simultaneously a sign of burgeoning new paradigms which collectively have yet to be named [and possibly even identified]. Within the artworld artists, academics and theorists have been contemplating the question of ‘what’s next?’ for some time. In this way the artworld can be seen as a barometer for detecting, reflecting [and sometimes affecting] change well before the broader community is aware that failing structures are actually heralding something new. Hopefully whatever is ‘new’ will retain the best of postmodernism including its creative insistence to stretch boundaries to test whether what seems impossible has real possibility.

Art’s agency is its potent ability to be reflective, yet at its weakest this can merely scaffold existing paradigms. Art’s less obvious agency is its ability to be affective albeit not deliberately so, otherwise it falls prey to restrictive and prescriptive didacticism and purpose. Flexible skills in perspective are needed to negotiate or dance across the contemporary ‘stage’ which exists between the global and local ‘wings’. Art's agency is its potential to provide experiences with multiple, distorted, unexpected perspectives both literally and metaphorically.

Perspective of others and self is enabled by contemporary life which is about living locally in the increasingly globalised world. Thus, perspective gained by experiencing multiple viewpoints creates a [potential] space/place where compassion for self and others can flourish and be shared in dignified, equal and mature relationships, negotiations and transactions in all areas of life.

Healthy self-interest becomes a compassionate urge at a micro level knowing that it wants and needs to positively affect the community or macro level. World leaders and the general population must re-build foundations based on underlying compassionate principles taking into account the individual and the collective. For this to be effective it needs to be done without wasting time on blame and retribution because basically we all passively [through ignorance and disinterest] or actively played in post modernism’s illusory playground where ‘bubbles’, ‘magic’, ‘fantasy’, ‘unreality’, 'dreamland' were the games [albeit at times very enjoyable games].

All good things must come to an end and whatever happens next will ultimately implode/deconstruct/die to make room for the necessary out-picturing of evolutionary urges.


Image above-After The Implosion Gouache on paper 25 x 18 cm 2008
This work on paper was inspired by the possibility of something new happening in the aftermath of implosion. The 'new 'errupts in a way which whilst not necessarily identifiable is possibly detectible by the very existence of implosion. I have used the spiral to reference my interest in Don Beck's Spiral Dynamic Integral theory. http://www.spiraldynamics.net/

Sharing The Spaces Gouache on paper 21 x 30 cm 2008

Spaces are created when we have perspective literal and metaphoric. The distance in these spaces can be close or far, spatial or temporal, conscious or unconscious, material or spiritual and so on. These spaces are not empty.