Showing posts with label farming. Show all posts
Showing posts with label farming. Show all posts

Thursday, May 04, 2017

HOT

Hot Gouache on paper 56 x 76 cm 2017


CROP STUBBLE
Regular readers will have noticed a few fires in my recent paintings. The inspiration is drawn from childhood memories of my father burning crop stubble. Magnificent fires, over hectares of ground, lit the sky as it darkened...best to light fires at the stillest part of the day. These fires took over the horizon in ways that brought the Milky Way closer. Embers and stars seem to meet - fleetingly. The flat treeless plain, where my parents' farm was situated, provided fire with a 'canvas' of vast proportions.   

In my recent paintings I've transported my childhood memories into cosmic landscapes where orientation is ambiguous. I really like the sense of flying! In Hot I imagine I could be an ember or a star! You could be an ember or a star too.

SERIOUSLY, HOT
But, seriously - Hot does engage with issues relating to global warming and environmental sustainability. Here, in Australia fires and firestorms seem to have become fiercer and more regular, particularly during our long hot dry summers. 'Heated' debates about how land is prepared or not prepared for the possibility of runaway fires occur, before and after fire events. Farmers, green lobbyists, environmentalists, government departments argue about the best ways to prevent fire occurring and spreading. As the arguments continue, we approach each summer with trepidation.

OTHER POSSIBILITIES
What if the fire in Hot is Earth's last remnant, consumed by cataclysmic devastation? Or, it could be a painting of the future, when the Sun meets its demise and the solar system is destroyed. Maybe Hot is the Sun's last gasp, Earth already non-existent? Maybe it's not Earth or our Sun? Maybe, it's a fire at another cosmic address?

Other fiery paintings:

Cheers,
Kathryn


Thursday, March 17, 2016

TWO PAINTINGS OF MY DAD

Dad Acrylic on canvas 51 x 41 cm late 70s. 


TECHNOLOGY
I've previously mentioned that my Dad, while a farmer [grain grower], was also a HAM amateur radio enthusiast. His passion started at the age of 12, and was life-long. Over time his interests extended into computers, and other contemporary digital and electronic technologies. 

I have often written about how the technology Dad introduced into our everyday lives has influenced my life well beyond childhood; how I grew up in the 60s and 70s with gadgets and gizmos, made my first crystal set at about age 12, and how I was given movie cameras when Dad bought newer versions. I've previously described how our vehicles [cars, trucks] carried some kind of communication device. I have also mentioned that our family often heard world news before it appeared in mainstream news outlets. This was long before the Internet. I have also written about how the flat horizon of my parent's farm was punctured by Dad's tall aerials [photo below]. Before I was born, Dad, aged only 20, was one of the HAMs conscripted by the US Jet Propulsion Unit  to track Sputnik 1 [1957]. Indeed HAMs in the US were the first to detect and monitor the satellite's signal. Dad made our first TV on the dining room table in the early 60s. AND, then there were the record players and other gadgets he made, bought, modified and installed. 

JOHN WILLIAM BRIMBLECOMBE 1937 - 2016
Well, an era has come to an end. My Dad died at home in his sleep last week. He went to bed and simply did not wake up. He still had work on his HAM shack bench [bottom photo]. After spending over half his life lurching from one medical crisis to another his death came peacefully. 



Various aerials that My Dad used to send and receive. His HAM shack is the small white building. 
This is at the farm at Pirrinuan outside Dalby, Queensland, Australia.



MY PAINTINGS OF DAD
I painted the two paintings [top and below] here in this post when I was about 16-18 years old. They are of my Dad, sitting. I talked about them at the private family funeral we held for him.

Dad had his favourite places to sit - in the lounge watching the news, on his HAM shack stool or in his office at one of his computers. Indeed, as these paintings illustrate [by virtue of their age] even back on the farm Dad's favourite places to sit were the lounge - to watch the news, read a book or eat a meal. Or, he'd be in his HAM shack. Yes, he also farmed, but when that was done, he was back in his shack! Keep in mind too, that farming also involved sitting on a tractor, in a truck or in a harvester. Once tractors and harvesters were built with cabins, air conditioning etc Dad installed communication equipment in them too. This is way before mobile phones! After retirement in the mid 80s and the arrival of the PC [and later the laptop], Dad added the office to his favoured sites to sit for long periods of time.  



Figure in a Chair - Dad Acrylic on canvas 142 x 99 mid 70s, 


ABSTRACTED 
Both of my paintings are abstracts...or abstracted. I look at them now [I've had them stored for years] and realise that while they do not literally look like Dad, they convey a lot about his character. He was a man of parts ie: interests, moods, passions, that were often difficult to match together or understand. He was well-read [particularly Australian history or war history]. He loved classical and jazz music, but would never want to go to a concert or performance, preferring to listen to his high quality recordings on devices he'd either made or modified, to amplify and improve the sound. He liked being alone and shied away from social events, especially where there were largish groups of people. He simply preferred spending time operating and making technology, reading, tinkering with machinery, restoring things etc. As a man of technology and science, his interests extended to the way he farmed. He responded very quickly to advances in farming methods and technologies, and in retirement kept a close interest in agricultural matters.

NEW PERSPECTIVES
When I look at the top painting Dad I now see it also as an aerial view over farmland. Or, as my Mum has suggested, an overview of a house and outbuildings. And, as one of my nephews pointed out at the funeral, it also has a computer-like or circuitry-board appearance [see photo below for comparison]. Thus, with hindsight I realise that as a teenager I picked up on something that could not be explained with words or even 'seen' at the time - and I'd like to point out - it was manifested with paint and brushes, not a camera or other device!

During my childhood, shared with my two younger brothers, art and cultural activities were actively encouraged by our Mum, who continues to paint and write. I believe that my lifelong exposure to technology, and the characters associated with it, coupled with my Mother's creative influences, has provided me with a unique balance, and a depth of understanding that still manifests in images created through the freedom that painting enables. I've often experienced insights about my paintings many years after completing them and these two paintings provide further examples of how potent, informative, even prophetic, and timeless a painting can be. 



                                                           My Dad's Ham shack bench 

                                                    VK4ZWB signed off 9th March 2016


Kathryn
www.kathrynbrimblecombe-fox.com








Monday, February 14, 2011

COMMODIFIED

Commodified Oil on linen 30 x 30 cm 2011

PARADISE @ Purgatory Artspace Melbourne
'Paradise' is open to the public from Thursday 8 September! The opening night is Friday 9 September 6-8 pm. The exhibition dates are 8 September - 8 October, 11 am - 5 pm Tuesday to Saturday at PURGATORY ARTSPACE, 170 Abbotsford St, North Melbourne.

'COMMODIFIED' Oil on linen 30 x 30 cm 2011
The painting is obviously a map of Australia, but upon closer scrutiny the viewer will discern that the 'map' is created with small $ signs. Regular readers of this BLOG will know that I use small $ signs to depict water, soil etc to pose or stimulate questions about how we 'value' our land. I deliberately make the $ signs small so that from a distance the viewer does not discern them, but when the viewer is close the $ signs become clearly apparent. This play with distance asks questions such as, 'Have you noticed?' It plays with the responsibility we all have to negotiate distance as we live locally in an increasingly globalised world. AND, I don't mean just physical distance, but temporal, cultural, emotional and spiritual.


I am deeply concerned about the sustainability of prime and strategic farmland in Australia. An enslaught of rapid and hectic activity from mining companies, especially coal seam gas miners, threatens this sustainability. I am anti any kind of activity that threatens water sustainability, strategic and prime food producing farmland. With a burgeoning population the world needs to maintain its farmlands in order to feed people. After all, you cannot flick the light switch if you've expired from hunger! Governments need to ensure prime farmlands, and the farmers who farm them, are protected from invasive mining activities. These include those activities that threaten above and below ground water supplies and quality, soil health, and efficient and environmentally sound farming practices. Regular readers will know that I have written about these before. Here are some links to previous posts:
http://kathrynbrimblecombeart.blogspot.com/2011/01/underground-currency.html
http://kathrynbrimblecombeart.blogspot.com/2010/12/oils-aint-oilsany-more.html
http://kathrynbrimblecombeart.blogspot.com/2010/11/food-fantasy-in-future.html
http://kathrynbrimblecombeart.blogspot.com/2010/11/murray-darling-currency.html

Governments must prioritise food sustainability for obvious humane reasons, but also for political stability. Hungry stomachs make for angry hearts, and angry hearts make for civil unrest and worse.

'Commodified' is a simple looking painting...indeed it did not take as long as some of my more intricate ones, but it speaks of the madness erupting across parts of Qld and NSW [indeed across the globe! Have you seen 'Gasland'?] with regards to potential degradation of farmlands by mining activities. This madness is what I see as the outer VORTEX, the chaotic whirlwind that does not allow for contemplation and considered scrutiny...or for a scientific analysis of risk. Two soil scientists who spoke at the public forum on the CSG industry, which I attended at the University of Queensland late last year, both started their presentations describing what's happening as 'madness'. Here's the link to my post about the forum:  http://kathrynbrimblecombeart.blogspot.com/2010/11/donkey-and-other-things.html


Cheers,
Kathryn
http://www.kathrynbrimblecombe-fox.com/