She was not made out of his head to surpass him, nor from his feet to be trampled on, but from his side to be equal to him, and near his heart to be dear to him. [Jamieson-Fausset Brown Bible Commentary] Oil on linen 80 x 120 cm 2009
Previous post HERE
ROUND OBJECTS + UK NEWS
I know...the painting above does not have any round balls. However, it does have some NEWS from the UK.
She was not made out of his head to surpass him, nor from his feet to be trampled on, but from his side to be equal to him, and near his heart to be dear to him. [Jamieson-Fausset Brown Bible Commentary] was the feature image on the front of UK's The Independent [March 7 2015] International Women's Day supplement.
Needless to say I am thrilled with the exposure. Also, thrilled because the opportunity came out-of-the-blue. LOVE! LOVE! out-of-the-blue opportunities!
And, I am thrilled that my painting was seen as a meaningful addition to International Women's Day 2015.
The painting is from a series of works themed to the Adam and Eve story. You can see more of them at Adam and Eve-and THAT Tree
Now to round balls.
Objects Oil on linen 85 x 147 cm
In my last post Objects I discuss the seemingly endless things the round balls in the painting Objects [above] could be. These range from the tangible to the not-so tangible.
I also discuss the painting in reference to the relatively new theory Object Oriented Ontology...OOO. I have links to info about OOO in the Objects post.
Regular readers may realise that I often use round balls in my paintings.
So, here's a mini online exhibition of some of these paintings for you.
Cosmic Landscape Gouache on paper 21 x 29.7
Cosmic Landscape is a new work on paper. I am playing with landscape...and regular readers know I like to do this. The round balls could be planets or moons. They could be human-made probes. Maybe alien spaceships? Unlike in Objects the balls are oriented within a landscape that is clearly identifiable as one. Yet, they appear to be floating thus giving a 3d appearance. Without the balls the landscape 'speaks' for itself. The balls, however, disrupt the landscape suggesting alternative narratives and possibilities. Maybe the balls are symbolic of these possibilities?
And...mentioning 3d...many of my paintings do 'go' 3d when viewed with 3d glasses. Here's a previous post where I 'discuss' 3d!
Landscape Of Everything Oil on linen 80 x 140 cm 2012
I wrote in my previous post for Landscape Of Everything [above]
When I was painting this image I had many many different thoughts going through my head, cascading in and out, provoking panic, excitement, fear, wariness, joy and more. There were so many thoughts that when I came to give the painting a title, nothing seemed adequate, until I came up with Landscape of Everything.
I go onto to write about all my thoughts...and you can read about them HERE. Maybe the balls are symbolic of the various thoughts I had when painting it?
Yet, even though the title has the word 'landscape' in it...there is no identifiable landscape. But, regular readers will know I am teasing out the possibilities of landscape across scale, dimension and time. Yes...untethering landscape from Earth-bound horizons!
This is a favourite painting of mine. Really happy with it...hurrah to the fellow who bought it!
Are We There Yet? Oil on linen 80 x 140 cm 2013
And, here are some blue balls! They seem to suggest a trajectory, as if a balloon has been let go. As in Cosmic Landscape there is an identifiable landscape, yet an ambiguous and unusual one. The title Are We There Yet? plays on that question children often incessantly ask on long trips...well they did when I was a kid and when my children were younger. Now though, I suspect portable and imbedded entertainment devices might distract children from noticing time. You can read more about this painting HERE
Multiple Choice Oil on linen 100 x 70 cm 2015
And...that brings me to another new painting featuring coloured balls...Multiple Choice
The title says it all really...don't you think?
Cheers,
Kathryn
www.kathrynbrimblecombe-fox.com
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