TRACES

Well Christmas has been and we are now waiting with anticipation for 2008 to arrive.

I have been writing a submission for an exhibition at a gallery in Sydney. Crossing fingers for success!

Whilst I was writing the submission I had a few more thoughts about my idea of cellular memory...what I call 'white man's Dreaming'. The idea that 'memory' is transferred from one generation to another is very interesting. However, how do these 'memories' affect our lives and how applicable are they to our contemporary lives? Can we release them if they are not helpful or if they are downright harmful to our enjoyment of life? These are questions which interest me as an individual, but can they also be asked about whole cultures/nations? Are there 'memories' which we need to re-discover in order to bring connection back to our world? I think there are 'memories' which are basic to all of humanity and a re-discovery of them could make our world more 'together'. So, how can the arts help uncover these 'memories'? I don't think the artistic product itself has the answer. I think the conversations people have about the art holds far more potential. But, how much art generates conversations which go beyond appearance and critique, monetry value and so on? Bring back the art of conversation!

Memory Traces Of The Land Gouache on paper 52 x 114 cm paper size.

BEYOND

Nearly Christmas and life is busy. Venturing out to shop is a brave thing to do. So many people.

An article about my work which appeared in the XL magazine has been published online. Very exciting. http://resultsfoundation.wordpress.com/2007/12/11/painting-trees-for-peace/ You can read the article and make a comment too.

I am really quite passionate about the connection beteen art and the potential for different kinds of conversations which may lead to different ways to look at Peace Building. I have thought a lot about the subtle difference between personal conversations and intimate ones. Many personal conversations seem intimate because recounting personals events and details does take people outside their comfort zone. However, talking about feelings rather than details is where I believe intimacy occurs. This is where art can play its magic. Just like the spiral in my painting above where the outside seems to collide with the inside.

Beyond 25 x 25 cm oil on canvas

HOPE and TO EXPECT

This painting is called 'Beyond' and it is one of my paintings in the Doggett Street Gallery Christmas Exhibition opening this Friday night @ 6pm. All the details are in my previous posting.

But, what was I thinking about when I painted this image? The tree-of-life is an important symbol for me and I have previously talked about the various aspects of its transcultural/religious power which excite me. It is easily identifiable across the world and thus takes people beyond simple comments about colour etc etc to places of similarity and story telling. I have experienced this in the Middle East at my exhibitions in Dubai and Abu Dhabi...more particularly in Abu Dhabi.

However, apart from the tree-of-life's potential to bring people togther it also has an affect on personal hope. I see hope as a seed...like a thought is a seed. After all, hope normally comes because someone thinks about something they want. But, is hope enough? Where does faith fit in? Is hope just hope without faith?

I recently had an insight...well it was for me.

Faith is very closely accompanied by the thought 'I expect...'. However, if the verb turns into a noun ie: an expectation, power can be lost because there is a tendency to dwell on or fall in love with an expectation and these can ultimately cause anxiety. With anxiety what happens to faith because surely faith can only exist without questioning [which anxiety implies]? So, the trick must be 'to expect' but not to have an expectation which you carry with you in your thoughts all the time.

The tree-of-life in terms of an individuals life can be like a map of our thoughts, hopes, faith and expectations. Each branch and twigg representing a moment or time of growth, activity, seeds sewn with some harvested and others not.

Beyond 25 x 25 cm [unframed] oil on canvas, $360

RADIANCE

This painting is called Radiance. It is large painting 92 x 208 cm and I think it is startling. This is what I wanted to achieve and from the comments I have received I am more sure that I have acheived this.

The painting's format is similar to Thank Goodness ie: a layered work which plays with perspective. The viewer seems to see the painting from many angles...from above, below, in front and even behind. Questions are asked...Is there a tree or is it a layer of the earth? Is there a sky or is this another layer of the earth?

I wanted to give the impression that the earth is 'radiance'...that every part of it is glorious...that even the minutae, unseen by the human eye, are part of the radiant light which reassures us that we and the earth are alive.

I wanted to create a painting that gave the viewer hope and confidence to face the sombre news we read each day about our affects on the planet. This is not to ignore that these issues are real and important, but more to invigorate people and keep them from despondency. The problems seem too large for the mere mortal to have a positive affect, but each and everyone of us can have a positive influence on the survival of the planet whether it be by planting a tree, turning the lights off, praying, joining an action group or envisioning the planet as healthy, rich and fertile.

HIDDEN ENERGY

My exhibition Prayers For The Planet: We are all the same has its last 4 days this week...today [Wed], Thursday, Friday and Saturday open 10 am - 4 pm. I am really happy with how the exhibition has been received. @ Doggett Street Gallery, 85 Doggett Street, Newstead, Brisbane 61 7 32529292 www.doggett.com.au

Hidden Energy is the title of this painting above. I was thinking about the unseen energy forces which give life to our universe. I have often used these squiggly forms to evoke what I imagine energy to look like. I was so surprised when I watched a program recently on String Theory. Here was a theory that said these unseen forces of energy were shaped like a twisted string or rubber band! I got really excited thinking about how I might have tapped into something which gave a clue to how our world lives.

This has not been the first time I've painted images which have surprised my scientist friends or viewers of my work. A Professor of Medicine asked me once if I had studied Histology...no. I have had academics in science fields ask me if I have studied DNA...no. Many medical people have commented on various paintings over the years talking about human reproduction.

So, I am not sure how it happens, but I am happy that it does. As I have said to people ,I paint what I feel, but part of this feeling is how I think the feeling looks.

Hidden Energy 53 x 63 cm framed Gouache on paper $850 AUD [price subject to change as time goes on-upwards!]

Reunion

I am only half way recovered from my 30 year school reunion over the weekend in Toowoomba. It was a fabulous weekend catching up with some girls I had not seen since the day we left school and others I had seen over the years. I had to make a power point presentation about year 11 and I took a great deal of artistic licence, but everyone laughed...because I told them to!

My talk 'Art, Artists + Conversations= Peace Talks?' at the University of Queensland's Peace and Conflict Centre on Tuesday 16 October went really well too. I spoke for abut 50 minutes and then there was about an hour of questions and discussion. Very positive response and I am thrilled. There are also other things brewing as a result of the talk which is very exciting.

I think I maybe stepping into what might be called quiet activism. I attended a session on art and activism at the ARC conference in Brisbane on the 13/14th October and I came away thinking that there was a place for me in this spectrum called activism. Promoting potential avenues for peace on our planet is my motivation.

My exhibition 'Prayers For The Planet: We are all the same' at Doggett Street Gallery continues and is attracting attention which is great. You can see it online @
http://www.doggett.com.au/ExhibitionFrame.aspx?ExhibitionId=864 The exhibition closes 4 pm on the 3rd November and is open Wednesday - Saturday 10 am - 4pm.

It is interesting how stepping up to action attracts more action. I am also thrilled that War Child www.warchild.org.au has benefitted from the exposure my exhibition has attracted. An amazing charity which has the ability to be flexible thus meeting real needs on the ground. It is certainly worthy of support and attention.

Sending Love Gouache on paper 30 x 21 cm

PRAYERS FOR THE PLANET: WE ARE ALL THE SAME

My exhibition Prayers For The Planet: We are all the same opened on Friday night and it was fabulous. The photo [taken by me so please excuse!] shows one wall. I am delighted that people really seem to be understanding the depth of my work. Whilst they are colourful etc etc there is something else 'beyond' which people are connecting with.

I think art which is explicit sometimes falls into the didactic. Neither are sustainably interesting. I also believe that art which merely reflects destruction, mutilation or whatever disempowers by dispelling hope. It is also exhausting. Although I think some artists and commentators believe otherwise or maybe they are stuck in theory which needs rethinking? Maybe because we are so bombarded in the media with scenes of war, brutality and death we are now more vulnerable than ever to the disempowering qualities of simple reminder?

I hope that my work quietly takes the viewer to places which I may never have thought of. In this sense I relinquish the creation of a painting's next stage to the viewer [and this could be different for each viewer]. That by invoking memory [either of this life time of at some cellular level] I hope my work propels the viewer beyond just simple reminder. The brutal and destructive will always be present in absentia. Like a pendulum the opposite is always in potential. However, by creating work which causes people to be touched by spirit I hope that energy is reinstated in the investigation for alternatives and positive ways of being on this planet.

On Tuesday the 16 th October 1-3 pm I am presenting at the University of Queensland's 'Australian Centre For Peace and Conflict Studies'. My topic is Art, Artists + Conversations = Peace Talks? You can access all details @ http://www.uq.edu.au/acpacs/index.html?page=69874&pid=25918

UNIVERSAL SYMPHONY

Today week is the opening of my exhibition Prayers For The Planet:We are all the same @ Doggett Street Gallery, Brisbane Friday 8 October 6-9 pm. http://www.doggett.com.au/ This painting Universal Symphony will be in the exhibition.

On the 16th October I am giving a presentation for the Australian Centre For Peace and Conflict Studies at the University of Queensland. I have called the presentation Art, Artists + Conversations = Peace Talks? DETAILS 1:00 – 3:00 pm Sustainable Mining Institute Seminar Room, Level 4, Sir James Foots Building (no.47A) (Corner of Staff House Road and College Road, St Lucia, http://www.uq.edu.au/maps/pdf/StLuciaMap.pdf at J11 co-ordinates

My talk will be based around my experiences exhibiting overseas and the conversations I have had with people from all over the world. My exhibition in Abu Dhabi brought me so many wonderful conversations with people from all over the Middle East, Africa and Eastern Europe. I say the exhibition brought the conversations to me because without the paintings these intimate interludes which occurred a number of times a day every day for 10 days would not have happened. It made me think about the potential for understanding and respect which could be stimulated by talking about art with artists. These conversations take both parties to places of memory and intimacy which I believe does not happen over the boardroom or diplomatic table.

This is not meant to become some sort of therapy or preconceived method. After all there are artists exhibiting all the time. There is no need to invent something...just noticing it would be great.

My experience is that the 'feel good' and entertainment aspect of art is understood but deeper aspects are not. This is particularly so with those government agencies who could really support artists. I have been to a number of Embassy/Hig Commission type arts events. The potential for deeper understanding and communication by opening up [metaphorically speaking] our collective soul is often lost in the 'show and tell' type atmosphere.

My experience has been that people in foreign countries want to 'see' who we really are. It is also intruguing because there seems to be a keener sense that culture is a way to achieve this. I don't feel that Australians [and other Western nations] really grasp that culture is seen this way. There seems to be a 'show off' mentality rather than a 'conversation' ie: involving two or more parties communicating by bouncing off each other and enjoying ideas and insights. In this process you do get to 'know' someone. Art and culture and the creators are the stimulants.

I have had a thought about the practice of conscripting celebrities to speak on behalf of major humanitarian agencies. The celebrity status is definitely a reason for these people to be chosen because it draws attention to the cause. But is there something else? These celebrities are mainly actors, actresses, singers etc. They are artists. Is there something about the way they communicate which differs? Do they 'see', 'feel', 'hear' things' differently? Does the creative pulse which runs through them give a different perspective which then produces different problem solving patterns and different conversations with people? I don't know really because I have never met one of these celebrities, but I think it is a worthwhile consideration. Let's not get

blinded by the notion of celebrity or the notion of value culture and art my have in $ terms. If we do get blinded we won't 'see' the real potential...which could be peace on earth.

Universal Symphony 120 x 160 cm Oil on linen

SENDING LOVE

This painting 'Sending Love' will be in my exhibition Prayers For The Planet: We are all the same opening October 12 @ Doggett Street Gallery, Brisbane http://www.doggett.com.au/

It is self explanatory really. We can send love to anyone/anything anywhere at anytime. What it 'looks' like will be different for each person. When I imagine sending love I imagine a white light emanating to encompass the person, thing or even the Earth...and yes even the universe. I've painted this image as if the white light spills from the tree-of-life going forth to wherever the viewer thinks it might be going. The viewer can tell their own story.

I am very pleased with the interest in my exhibition. I will be interviewed on radio and there may even be a TV gig. And there will also be some mention in various other paper publications. Very exciting.

But, as I have previously explained I am donating 9% of sales proceeds to War Child Australia http://www.warchild.org.au/ I am delighted to be able to do this and hope that people who buy my work feel they are helping to contribute to an organisation devoted to assisting children affected by war. War Child currently has projects in the Democratic Republic of Congo, Afghanistan and Iraq.

I will not know until the end of the exhibition how much I can give War Child. But, in the last two blog entries I have described how money could help. And I am doing this again with this entry. Did you know:

In the Democratic Republic of Congo, around $3500 will build a kitchen at one of War Child’s drop in centres for street children.

In Afghanistan, around $3500 will fund the development of a year-long legal support programme for children in conflict with the law.


The money which will be given to War Child Australia will be sent with the scaffolding and warmth of love.

Sending Love Oil on linen 90 x 180 cm

This gouache on paper painting will be in my next exhibition "Prayers For The Planet: We are all the same" which opens in only 3 weeks on October 12 @ Doggett Street Gallery, Brisbane.

Your invitation is @ http://www.doggett.com.au/Art.aspx?ExhibitionId=864&ArtId=18281

This painting is part of a set of 6 called Sending Love. The idea that love can be sent through the ether is appealing and powerful. There is also an idea that if more people think of or meditate on peace and love there will be an affect on those areas of the world affected by conflict. It is often frustrating to think that we are powerless in the face of brutality and war. What can we, the average everyday person, do to make a difference? Very few of us have the skills to be placed in war situtations to save thousands.

The prospect that meditation and prayer can make a difference empowers people.

As I have mentioned before I will be donating 9% of exhibition sales to War Child Australia www.warchild.org.au With the help of people who buy my work I am hoping that my donations will assist in bringing some experience of peace and love to children affected by war.

Even small amounts of money [a practical way to send love] can make a difference.

Did you know that children as young as seven were abducted from their families and turned into soldiers in the Democratic Republic of Congo. Brutalised by war, they were abandoned to live rough on mean streets. But now, with help, they can be clothed, rehabilitated and re-united with their families (a time and patience-consuming process, ultimately worthwhile). $120 helps reunite one former child soldier with his or her family.

JOYFUL PRAISE

The last week has been busy. And I had my birthday! As my middle daughter said, 'Mum, 21 is so young.'

As mentioned in my last post I was one of the 70 shortlisted artists for the Tattersall's Club $20,000 Landscape Award. I did not win but there's always next time! However, I think my painting looked great at the exhibition in the Club.

There is a chance for the public to see all the paintings as they have been moved from the Club to Waterfront Place in Brisbane. They will be there for two weeks from Monday 17 September. Or you can view them [plus what seems an expanded list of paintings] @ http://www.tattersallsclub.com/art-prize.html

Also, my exhibition at Doggett Street Gallery is just around the corner opening October 12. Your invitation is @ http://www.doggett.com.au/Art.aspx?ExhibitionId=864&ArtId=18281

As I have mentioned before I will be donating %9 of sales proceeds from my exhibition to War Child Australia www.warchild.org.au Here's an example of what can be done with, what to us is a small amount of money. Did you know that $40 will cover the costs of kindergarten for one child for two weeks in Herat, Western Afghanistan where around 60 children live in prison with their mothers? War Child collects these children in a mini-bus and takes them to kindergarten where they have the chance to play and socialise with their peers, receive a hot meal and have their clothes washed. I have other examples which I will write about over the next few weeks. I really hope that as I sell my paintings those people who buy them feel excited about what they are helping to provide.

The painting above will be in the exhibition. Joyful Praise gouache on paper 53 x 62 cm framed.

Inside The Vastness Oil on linen 80 x 120 cm This is my entry for the Tattersall's Club Landscape Art Award for which I have been preselected. I will be at the Tattersall's Club on Wednesday night for the opening of the exhibition and the announcement of the award.

Inside the Vastness explores the minutae of our vast landscape. It is also a metaphor for our inner world of the human psyche.

My next exhibition 'Prayers For The Planet: We are all the same' opens on October 12. Put the date in your diaries. The exhibition goes until November 3. More about the exhibition in the next few weeks and about the charity I have teamed with...War Child Australia www.warchild.org

I have chosen to upload this painting called Golden Lives because I painted it well over ten years ago and it reminds me that the tree-of-life motif has been evident in my work for some time. This is a mixed media work on paper and represents energy and life. Ten years ago, I don't think I even realised the possibilites of the tree and the life it would take on in my work.
Upon reflection I see a very gradual development in my work creating a thread which I hope and believe will be seen as having integrity, deep thought and being antcipatory.

The tree grows above and below the ground. It is inside and out. Maybe there is a promise that we as humans can go inside to grow. Inside is where our emotions and our subconscious lie. It is a place where love hopefully lives brightly. If is doesn't then maybe our world in which terrorism and war live is revealing what is inside us [or some of us]? I perceive a movement of conscious thought and prayer gathering strength around the world eg: www.millionmeditations.org The energy created by mass thoughts of love and peace coming from inside us will manifest the same on the outside...we can live with hope and that is empowering.

MOI

Just thought I'd post a picture of me. This photo was taken a couple of weeks ago by Nicci Shrimpton who is doing the PR for my next solo exhibition 'Prayers For The Planet: We are all the same.' www.nscomm.com The painting in the background is now finished! It is called 'Searching Inside The Horizon'.

I love using landscape elements as metaphors for life. What are our horizons? Do we limit ourselves by not 'looking' beyond? Once we have reached what seems to be the horizon there is always another. What can this mean for our lives?

In the past I spent many hours driving along western Queensland roads watching the horizon. Yet, what about my own personal horizons? Well, I think they are constantly moving and changing. Also, I have rediscovered some. Maybe our dreams are our horizons? As adults I think we lose sight of our dreams when busy lives close down the distance and space we need to dream. We need to keep our horizons in sight.

CLOSE DISTANCE

This gouache on paper painting was completed a few years ago. I re-discovered it in one of my folders because I've had a request from Dubai for lots of images. This is fantastic and hopefully will lead to some purchases. Time will tell! But, the exciting thing is that as I looked at the various titles of my re-discovered paintings I realised I have been somehow connected with unseen vibrations for a long time.

This painting above is called 'At Close Distance'. How can distance be close? I wanted to suggest the idea that distance is not something we sit outside of. We are actually inside distance and therefore it is all around, emmersing us. Distance is both temporal and spatial....we have a distance from ourselves over time, but we are connected to this time rather than being separate from it. This line-of-sight gives us the gift of perspective. It is up to us how we perceive this perspective and how we adjust our thoughts and behavours if we don't like what we perceive.

'At Close Distance' is a vast landscape on the one hand, but a detailed inventory of the forces of energy within the landscape. It is macro and micro, combining the two. This is also about perspective and our ability to see the big picture but also see its components and how they affect each other. The question then is how can we change these associations if they are not helful to us?

Some exciting news! My next exhibition 'Prayers For The Planet: We are all the same' opens on October 12 and continues until November 3 @ Doggett Gallery, Brisbane www.doggett.com.au I have teamed with War Child Australia for this exhibition. I will be giving %9 of exhibition sales proceeds to War Child which is an international relief and development agency dedicated to providing immediate, effective and sustainable aid to children affected by war. www.warchild.org.au More on this in future BLOGS.

I am also presenting at the University of Queensland's 'Australian Centre For Peace and Conflict
Studies' under their Art, Culture and Peacemaking Project. The title of my presentation is Art, 'Artists + Conversations = Peace Talks?' and the date for this is October 16. More on this in future BLOGS as well.

At Close Distance Gouache on paper 56 x 76 cm unframed

THANK GOODNESS

I cannot believe I last posted on the 18th July. It only seems like yesterday. My middle daughter has had her birthday and last weekend we had the 'joy' of six 13-14 year old girls sleep over. They watched videos for hours, ate rubbish and then slept...for a few hours.

I am busy working towards my next show at Doggett Street Gallery opening October 12. The exhibition is called 'Prayers For The Planet: We are all the same.' The painting above will be in the exhibition. It is called 'Thank Goodness'. It is a large painting 92 x 107 cm. I wanted to weave the tree of life into the strata of the earth. I also wanted the feel of rain and the appearance of this rain penetrating the strata. I wanted the sense of looking beyond the surface.

How many times do we exclaim 'Thank Goodness!'... or 'Thank God!'? If you think about it these exclamations are really about gratitude, relief, love, hope. I've noticed when I say/exclaim them and then stop to think about what I really mean, my feelings normally reveal complete relief, hope and an almost exasperated 'it's about time!' However, when I have stopped and thought I try to elliminate the exasperation and focus on being truly thankful.

When rain falls from the sky during drought times people exclaim 'Thank God!' or 'Thank goodness it's raining!' I've lived in rural Queensland for most of my life and I have heard these exclamations many times from friends, my Father, myself! I now live in Brisbane which is suffering from severe lack of water due to drought. When it does rain I hear the same things.
These exclamations are normally said with emphasis and emotion. They are really prayers of thanks, prayers for the planet...as well as being heartfelt exclamations of relief.

My painting above is about rain, thankfullness and looking beyond the surface of things, words, actions and life.

REFLECTION PERCEPTION

I have been thinking a lot lately about art which seems to reflect and art which seems to perceive. Sometimes I feel empty when I look at some art. The colours may be great, the work competently produced and so on, but once I look away nothing is left for me to think about. In a way mimicing mass media [I know the academics would find this interesting]. Whereas other art can grip your heart and imagination taking you to places within yourself. I recently saw an exhibition by a Brisbane artist called Michael Eather. I thought the whole exhibition was really interesting, but there were two really fantastic paintings which whirled with colour and movement, but were quietened by a single beautiful stingray which seemed to glide across this vibrant sea. I still think about these two paintings weeks after seeing them. To me that is a sign of art which is not merely reflective but has some sort of power of perception which is a result of the artist drawing in, mulling around, thinking, loving, imagining and then creating. I believe artists who do this may not be conscious of the process, but some sort of faith shows through.

I'm not sure that art which mimics mass media or tries to outdo photography can survive without art which perceives. There needs to be a balance. I believe the latter creates/invents new symbols which like all symbols mean more than words can say. Relective art is a reminder whereas perceptive art is a remembering of humanity which resonates at a level which some would say is spiritual, others may call it cellular memory. Whatever it is, the vibrations caused by perception awaken rather than remind.

I like to think my own art has this quality of perception and given the type of comments my work receives I believe this to be so. I have recently had some amazing reactions to my work from someone 'getting' the potential for Peace through art, someone feeling vibrations which I sensed disturbed them because he felt they were coming from somewhere else and someone who hugged me.

The painting above 'Heaven and Earth' will be in my next solo exhibition at Doggett Street Gallery, Newstead, Brisbane opening 12 th October.

INTO THE DISTANCE

When I lived in Goondiwindi [on the border of Queensland and NSW] I used to exhibit in Brisbane and other places in S.E Qld. Since moving to Brisbane seven years ago, and having exhibited internationally, I have been asked to make some presentations about creative industry export. One of my 'lines' is to say that exhibiting in Brisbane from Goondiwindi was like exhibiting in another country! The only differences were not having to deal with foreign currency exchange rates and huge cultural differences. I say 'huge' because there are cultural differences even between rural and urban Australia. They are subtle, but they do exist.

Recently I havebeen asked to make some public comments about trade and export. I have thought about this quite a lot. The world's history can be mapped through the impetus to exchange goods ie: trade. From the earliest of times when bartering took place 'trade' has fulffiled various needs. As civilisation becomes more sophisticated these needs are accompanied by wants.

Needs and wants are very basic human characteristics. Maslow and various other psuchologists have tried to identify the impetus and the motivations for human endevour. I think trade and export are fundamental oucomes of human existence.

Trade and export rely on relationships between individual people, small and large commercial enterprises and countries doing business. Without these relationships other types of interaction maybe different ie: political, diplomatic. Whilst world trade and export activity is highly complex their existence relies on being able to fulfill human needs and wants. In the troubled times in which we live trade and export are important conduits to keep lines of communication and connection open.



Driving Into The Distance Oil on linen 80 x 120 cm
Cheers,
Kathryn

Inside and Outside

My exhibition opening at The Upfront Club in Maleny last Thursday went fabulously well. Even though it was the coldest night of nights people ventured out. I had a room full of people to listen to my artist's talk which went really well with people asking me questions later on in the evening. The exhibition continues until July 31 @ The Upfront Club 31 Maple St, Maleny.

I have mentioned before on this Blog the idea of ridding oneself of thoughts, beliefs and feeling which are not useful to an abundant life. Letting go and releasing thus making space for positive thoughts, beliefs and feelings is enticing and achievable with sustained effort. I say 'effort' because for me it can be an effort to rid those automatic responses which pounce when things are depressing or difficult. However, I am pleased to say that I am winning the battle! I now notice that there are new automatic responses which are far more useful to me and I am sure to those who live with me! Namely...my children!

The painting above is called 'Inside The Vastness'. It is essentially a landscape showing the energy within the vastness of our land and how this energy forms our landscpae. I also like to think of the human psyche as a 'Vastness'. Whilst looking at the landscape we can say we have perspective. When we imagine being inside the landscape we can say we have perception. So it maybe the same for us as human beings. We can have both perspective and perception...perspective of the world around us and perception about our internal lives.

Inside The Vastness Oil on linen 80 x 120 cm

THROUGH THE FLYSCREEN

This painting called 'Through The Flyscreen' is one of my favourites. Why? Because it exposes a point of transition in my life. I painted it just after I moved to Brisbane having separated from my husband of 18 years. We had lived together in Goondiwindi [he still lives there], a small rural town on the border of Queensland and New South Wales [Australia]. For those of you who don't know about rural life in Australia, flies and mosquitoes are constant companions and flyscreens on windows are essential. I remember many times wiping either hordes of mosquitoes or flies off my arms and trying to from my back. No wonder I got Ross River Fever and Dengue fever too!

So, with this painting the viewer can either imagine themselves looking from the outside in or the reverse...from the inside out. This can also be described as looking from the present to the past or the present to the future. If you look closely at the image there is a city behind the flyscreen. It is set against a multi horizoned landscape. There are patches of rain in the multi distances. So, in a way time is collapsed and the past, present and future are one.

Looking back at some work I have done in years past I am often amazed at the hints of themes which ultimately dominate in later work. History and time [shared], distance [both temporal and spatial], collapsing notions of linear time are all prevalent in my more recent work. I wonder what themes this work is hinting at now? Time will give me the perspctive to 'see' I am sure.

Through The Flyscreen oil on linen 80 x 100 cm