Thursday, June 22, 2017

THE LEAVES ARE LEAVING

The Leaves Are Leaving gouache on paper 56 x 76 cm 2017


THE WORLD
As masses of people flee their homes, due to war, conflict, drought, famine, poverty and suppression of many kinds, what does it mean for the soul of humanity? Displaced people flee homes in one country to seek refuge in another, some leave homes to live a homeless life in their own countries, and others never find new homes except in camps and settlements for displaced people. Others, die trying to find a new path. 

As the world runs amok people retreat to extreme beliefs, setting up polarisations that neuter balanced political traction, social cohesion and cultural understanding. Retreat to extremes represents another kind of exodus. A kind of exodus that seems to make things worse.

THE LEAVES ARE LEAVING
In the Leaves Are Leaving a mass of people are on the move, their silhouettes atop a hilly horizon. All the people are red. A flame-like swathe of red leaves shoots upwards into a turbulent sky which is dotted with groupings of red dots. I've deliberately painted the people, the leaves and the dots red - because they all represent the same thing - life. 

Regular readers will know that the leaves are from the tree-of-life, a recurrent theme in much of my work. Here, the tree is not portrayed. It has relinquished its leaves, sending them to seek refuge and safety in realms beyond. 

SUN/DRONE AND DUAL USE
The colourful radiating rays peeping through the stormy clouds could be a sun, but regular readers will realise that they could also be the surveillance and targeting signals of an obscured drone. These rays are symbolic of the insidious infiltration of militarised style surveillance that pervades our physical and online lives. That the rays could be a sun or a drone's surveillance signals demonstrates the increasingly blurred lines between civilian and military use of digital and cyber infrastructures and systems. 

Cheers,
Kathryn



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