Showing posts with label portal. Show all posts
Showing posts with label portal. Show all posts

Tuesday, January 31, 2012

THE MOON

Memory Oil on linen 80 x 120 cm 2002
Memory Previous Post
I am working on a new painting...an 'everything landscape'. But, whilst I have been working, thinking, sitting and standing in front of my easel, I realised that over the years the moon has been a significant inspiration. As reguler readers know, the cosmos inspires me...not just the literal one out there in space, but also the metaphoric one within our psyches.

So I decided to upload a selection of my paintings where the moon appears. And, as I went through my files I realised that whilst the moon represents time and cycles it also anchors me to my childhood... or rather it stirs my inner child through memory. Indeed, the painting above is called Memory. Childhood memories were also the stimulus for the painting below When I Was A Child I Dreamt I could Fly.

In both paintings the phases of the moon orientate the figures in time and space. Time's dance of infinite cyclical movements, stirs the universal memory. I am reminded of a recent post Elemental Dance where I mention the Whirling Dervishes. Their mesmerising, and trance inducing, whirling movement seems to condense the universal/multiversal cycles of life to a persistently contemporary beauty which reminds us of life's propulsion. Like a vortex the Dervishes suspend time linking all experience.


When I Was A Child I Dreamt I Could Fly Oil on linen 80 x 120 cm 2003

The painting below The Flat And Fanstastic Horizon is also grounded in memories of my childhood growing up on the flat treeless Pirrinuan Plain outside Dalby, in S.E Queensland Australia. The whole painting is created with a cascade of tree-of-life symbols. The full moon forms a portal-like presence in the night sky.

I have previously written about my Grandmother, who had a great interest in astronomy. She tried to teach me and my two brothers to identify certain stars and the constellations. Apart from my Grandmother's cosmological interests, the night sky of my childhood could not be ignored. On a clear night the Milky Way was like a swathe of glistening fabric flung across the heavens. The glistening was not dulled by any ambiant lighting from cities or major settlements. The stars and the moon glowed fulsomely and elegantly.

This takes me to another painting, a more recent one to The Flat And Fanstastic Horizon. In fact, only since starting this post have a I realised the connection between the two paintings. The second one is The Beginning Of Everything  [It is below The Flat And Fanstastic Horizon.] Please read my previous post where I write in more detail about my grandmother and the landscape of my childhood.


In 1969 when man first walked on the moon, my parents, particularly my Father, insisted my brothers and I stayed home from school to watch the landing on TV. I still remember the grainy black, white and grey images.

The Flat And Fanstastic Horizon Oil on canvas 100 x 120 cm 2006

The Beginning Of Everything Oil on linen 90 x 180 cm 2010

In Unison Oil on linen 92 x 208 cm 2006

I did not write much about In Unison in my previous post but regular readers will identify my inspirations. And, there's the moon reminding us of cyclic rythms over time. This painting was sold to a collector in Korea.


Meeting Place Of The Mind Oil on linen 100 x 70 cm 2011

In Meeting Place Of The Mind the morphed male/female figure, synaptic in its connective qualities, is hooked into the universal/mulitversal tune. The phases of the moon are watchful as they shed their varying nuances of light on generative impulses. The moon is more commonly thought of as a symbol of feminine power, with the sun symbolising masculine power. However, there are exceptions in some cultures [some African and American Indian tribes, in Japanese, Maori and some Oceanic symbolism where the moon has a masculine fertilising symbolism]. When I read this I thought of Meeting Place of The Mind where 'mind' is neither male nor female, but a force where life's compulsions become one.

Mother Nature Gouache on paper 30 x 42 cm unframed 2011

In Mother Nature [above] the female figure, representing Mother Nature, seems partnered with the moon. In this case the moon is a symbol of feminine power. The fulsome light of the moon is reflected in the curves of Mother Nature's womanly body and the vascular/placenta-like branches erupting from her feet. The moon's light reveals Mother Nature' aura, shared with all existence.
Sap Of Life Oil on linen 55 x 80 cm

Sap of Life essentially refers to water, the sap of life. As in Meeting Place of The Mind the female figure represents Mother Earth, her aura reflected in the moon's nuanced light. The feminine power to give life with a fertility that flows in an eternity of cycles dances along with the universal song, waxing and waning in timbre. Please read my previous post here


BOOK LAUNCH AND TESTIMONIALS

Just a reminder that my book launch for 'For Everyone: Words and Paintings' is Thursday 23 February! Click HERE for more details.

TESTIMONIALS

Not only is Kathryn a deeply talented, original and inspiring artist, she has a gift for wordsmithing as well! Utilizing the raw power of her art, ‘For Everyone’ is a masterful insight into the very essence of who we truly are, our complexities, our simplicities and who we are meant to be. Dr George Blair-West, Author of The Way of the Quest

In Kathryn Brimblecombe-Fox’s book, 'For Everyone: Words and Paintings', the combination of words and images is a gift to the senses. I highly recommend it. Felix Calvino, Author of A Hatful of Cherries
For Everyone is absolutely beautiful and as I read the prose, and looked at the paintings, it was like going on a personal journey of my life. It touched on fond memories of my childhood and reinforced my beliefs in being an individual. As a teacher I know this book could be used in so many ways. In 2011 I organised and ran the Gifted and Talented Program in Writing at my school. Many students in my class published their poetry and stories in an Australian wide writing competition. I am continuing in this position in 2012 and will incorporate this unique book to help my students develop their ideas and be more expressive. The paintings and phrases in For Everyone are great conversation starters. They will also inspire and encourage students to be brave enough to share and express their thoughts and individuality. This book is a fabulous resource for educating and inspiring young people to share the beauty from within! Lou Walsh: Primary School Teacher



BLOGS/SITES OF INTEREST

Here are a few blogs/sites I think are interesting. It's a broad array!



Cheers,
Kathryn

Thursday, June 02, 2011

INFINITY

Infinity Oil on linen 100 x 70 cm

Well, I am back on computer deck! My new system seems to be pretty good. But, my head hurts with all the new things and new ways of working. But, I am on top of it!

My new painting above is called Infinity. My much loved transcultural/religious tree-of-life radiates at each end of a central vortex, which encircles the figure of a woman [humanity]. The two trees are connected to each other and beyond. Each tree is encircled with illuminating light, the top tree with multiple new trees painted in yellow and the bottom tree extended by a yellow 'halo'. Yet, if the viewer follows the curve of each tree across the vortex a figure 8 is revealed. On its side this figure symbolises infinity.

The trees-of life also represent life continuing...forever...in one form or another! Indeed, we humans may be just a blip in the universal/multiversal continuum? The vortex, which regular readers will know, is another of my major interests. More so, the quiet place inside the vortex where stillness pervades with essential forces that allow us to see, hear and feel things we did not could be seen, heard or felt. A place of listening. In this new painting this place of listening is at a cross roads...if you can 'see' the figure 8.

Cross roads have all sorts of associations, but generally they represent choice, whether it be a literal direction or not. Arriving at a metaphoric cross road can be frightening, which often means we don't take the time to settle into the quiet stillness of the vortex core. Instead we thrash around in the turmoil of the outer vortex. This is a time when we often experience the 'dark night of the soul'
I have previously written about this dark night, but not in a wollowing way. Instead, I added the word 'beyond' ie: Beyond The Dark Night Of The Soul, to give some hope of being able to pass through the experience http://kathrynbrimblecombeart.blogspot.com/2009/11/beyond-dark-night-of-soul.html

Infinity also contains a portal...regular readers will know I like them too!. The portal is created by the circle of blue leaves which seems to invite the viewer inside...or is it outside?

CSG
Public concern about the coal seam gas industry has increased incredibly here in Australia in the last few months. Regular readers will know of my thoughts! The concern is now not predominantly from rural areas, but also from the city and eastern seaboard. There have been a number of peaceful protests in the last week. Check out:
http://news.smh.com.au/breaking-news-national/human-signs-against-csg-20110529-1fabx.html
http://news.smh.com.au/breaking-news-national/qld-rally-targets-coal-seam-gas-industry-20110531-1fedq.html

Please read my previous post to pick up two more articles, one written by a biochemist refuting the claim that gas is more environmentally friendly than carbon. The other article is written by an environmental lawyer. He makes some very pertinent comments about the consultative process, cumulative issues and future generations. http://kathrynbrimblecombeart.blogspot.com/2011/05/hiatus.html

And my GAS GALLERY
http://kathrynbrimblecombeart.blogspot.com/2011/05/gas-gallery.html

My personal opinion is that if things do not change, issues surrounding the CSG industry will see some of the most vehement protesting and public outrage Australia has seen. Why, because if food, water and the environment are under threat people's basis instincts for survival are threatened. Recent incidences such as a gas well blow out on a property at Daandine [not far from where I grew up] certainly cause major worry. The media, across the country, is now also reporting on such issues.
http://news.smh.com.au/breaking-news-national/qld-farmer-worried-about-gas-leak-on-land-20110523-1f063.html

PARADISE
Just a reminder that my exhibition 'Paradise' at Purgatory Artspace in Melbourne is 8 Sept -8 Oct. Opening Friday 9 September.

 
Paradise Oil on linen 62 x 82 cm


Cheers,
Kathryn
www.kathrynbrimblecombe-fox.com