Showing posts with label agency. Show all posts
Showing posts with label agency. Show all posts

Thursday, March 03, 2011

BEAUTY AS A PORTAL

Portal Oil on linen 36 x 36 cm

On Saturday 26 February, at my exhibition VORTEX: Seeking Stillness At Its Core, there was an artist's talk with myself in discussion with art historian Dr. Christine Dauber. The talk went really well and I've had some great feedback from the people who attended. Amongst other things, Christine aksed me about beauty, and whilst I have thought about it before, and indeed have written about it on this BLOG, I found myself synthesising some of my thoughts as I spoke. Here are links to two previous posts on beauty.

I heard myself say 'beauty is a portal'. I said this in the context that ugliness and the regurgitation of scenes of disaster, ruin, and sadness in the media, and some contemporary art, seem to neuter empowerment. They drain us of energy as we feel overwhelmed by an incapacity to do anything to solve problems and to make the world a better place. 
Hovering At The Centre Oil on linen 30x 30 cm

Beauty, for me, is not a vacuuous prettiness or decorator kind of attractiveness. I choose to paint beautiful images and consciously elide ugliness, and in this conscious elision, ugliness exists in absentia. Ugliness is not a shadow tethered to beauty, but rather a memory which has been let go. This kind of beauty thus holds a pathos which reminds us of what we can lose if beauty is destroyed, or worse, rendered unimportant. This kind of beauty has the power to uplift, energise and re-invigorate. It is a portal! It has the capacity to be much larger than itself, taking the viewer into emotional and psychological spaces that fill the psyche beyond conscious limits and thus extending the conscious...a bit like Dr. Who's Tardis! 

 
Compassion Oil on linen 100 x 100 cm

Beauty stimulates the imagination. Yes, the imagination can still 'imagine' ugliness, but beauty balances the psyche providing it with a capacity to override the kind of focus on ugliness which disempowers, and acts as a destroyer too. I am reminded of something 'Harry Potter' author JK Rowling said in her excellent Commencement Address, “The Fringe Benefits of Failure, and the Importance of Imagination,” at the Annual Meeting of the Harvard Alumni Association. She said, 'I think the wilfully unimaginative see more monsters. They are often more afraid.' For me this statement conjures a few thoughts, one being that maybe the barrage of ugliness, sadness and destruction in the media reveals a lack of imagination which unfortunately reaches out to us daily from newspapers, computers, TVs etc. Another thought is that a lack of imagination arrests the ability of leader/dictators such as Mugabe, Gadaffi, to provide freedoms and rights that grow with and nurture a society. Indeed, as current events in Libya testify, the 'monsters' of violence and torture have been released.

Cosmic Dust Oil on linen 120 x 160 cm

I believe that beauty enables us to reach beyond sympathy, with its giver and receiver heirarchy, to a place of compassion where equality and empathy empower rather than exhaust. Compassion is not transient and it does not as easily fall prey to power plays. It is sustained by beauty and not exhausted by ugliness, even though it knows it exists. [see Compassion above]

I suggest that the catalytic agency of art is its ability to reveal, capture, portray beauty to stimulate imagination and exile monsters.

With the idea that beauty can be a portal taking us to dimensions beyond the concious I thought I'd upload some paintings which, to me at least, seem to suggest a conduit or portal to this place 'beyond'. All the images above depict a portal-like circle. All these paintings are in my current exhibition 'VORTEX: Seeking Stillness At Its Core'


 
CHEERS,
Kathryn

Monday, May 18, 2009

NOSTALGIA


I was going through my photos and found a few of interest. The top one was taken in 1965 at the Dalby Kindergarten. I loved painting at kindy...although I don't look that happy in the photo!
The second photo was taken in 1993 in Goondiwindi [4.5 hrs drive west of Brisbane] in my old shearer's quarters studio. The cute little child is my eldest daughter who is now quite grown up. This photo was taken just before I had an exhibition in Maleny. You can see the tree-of-life was a major influence even then. Readers of my BLOG know I still love this motif.
When I had small children I would go straight to my studio to work as soon as they had their morning or afternoon sleeps. I had a baby monitor attached to me so that I knew when they awakened and needed me. Mothers become very adept at discerning 'I want you now!' screams or just playful whimpers or 'Mum I am bored' grizzles!

This photo was taken in 1977 when I won first prize in the senior section of Queen Elizabeth Silver Jubilee Art Award for children. Part of the prize was meeting the Queen at Government House in Brisbane. My whole family travelled to Brisbane for the event and I was taken out of boarding school for two days! The Queen had chosen the theme of the art award. This theme was The Family and my painting is the one slightly obscured by the Queen's head. I painted my family! Unfortunately of the 3 photos taken of me at the event this is the only one of me with Queen Elizabeth...and we can only see her back. This was well before people could take a thousand digital images. I am just over 180 cm tall and the 'teenager me' insisted on wearing high heels. Of course on the day I realised my mistake and I felt like an amazonian standing beside and talking with Her Majesty.
This photo was taken in 1981 when I worked as a curatorial assistant at the National Gallery in Canberra. I am standing beside a Monet Waterlily painting. I got the job in Canberra straight out of university.
Painting and art have been part of my life since forever. Over this time I have come to believe that art's agency [rather than purpose] is to give to those who are keen and open to receive. Art can be reflective and/or affective. As I have said before on my BLOG I believe my paintings are finished not by me but by viewers and the conversations they have either with others or...inside their heads.
Cheers,
Kathryn