Wednesday, March 21, 2007

MEMORY


I have had quite a few paintings leave recently ie: sold which is fantastic. So, as they have left I have hung some older work. This is one of them. I painted it in 2002 not long after my divorce. It has always been a favourite of mine and as I hung it the other day I saw things in it that I was unaware of at the time of painting. It has also been in storage so I have not seen it for awhile and 'new' eyes and time can help with further insight.

I called it 'Memory' because the bride has memories of her childhood dreams of romance, weddings, love. I know that not all little girls have these dreams but as the mother of three daughters I can say that a vast number do. This is despite the rigours of divorce afflicting society today. I also know I had those dreams. The grown woman always carries the child-self within her.

However, I now look at this painting with some more thoughts. I still carry the child-self within. But I see the unlimited potential for discovery. It is a discovery of those subconscious core beliefs that dictate our responses to life. These core beliefs are deep within us and very difficult to uncover or unravel. As time passes and as life's circumstances happen we learn more about ourselves...and I think we can become more empathatic towards others. In fact, we can be more empathatic towards ourselves too.

When I painted this painting I was very sorry that my childhood dreams had been destroyed by divorce. I think now that the painting is more about growth encompassing a range of human emotions rather than anything to do with simply and only sorrow. I really like this painting because it makes me think and after five years it still makes me think.

Memory Oil on linen 80 x 100 cm 2002

1 comment:

Daniel Bland said...

'Memory' ca 2002, as you say, reflects your mindset then regarding divorce and loss of expectations (quite understandable). I found the portrayal involving the lower foreground somewhat 'dark' - maybe your interpretation would be different now? One can envisage all sorts of scenarios when viewing the work(s) of others and this is the appeal of art - it challenges the interlect to produce an interpretation we can identify with and related to our inner beliefs/standards.