Wednesday, November 30, 2011

BELOW THE SURFACE

Below The Surface Gouache on paper 30 x 42 cm

BELOW THE SURFACE Gouache on paper 30 x 42 cm

This work on paper is part of my Mother Nature series. The female figure is symbolic of Mother Nature. The trees which extend from her feet, and grow from her heart, reach out, below and beyond the surface. The pale green tree, which cascades across the 'scape', evokes the land's abundance, while the red, symbolic of soil, gifts the planet its nutrition. The white wavey lines and small blue strokes which whisper within the layers, speak of life systems, contours and hidden depths. The blue is suggestive of water and sky, the below and beyond. Regular readers will identify that the trees are my much loved transcultural/religious tree-of-life. This age old symbol speaks of life's systems and connects us with the past and propels us to the future. In the present it is up to us to hear its symbolic power.

BELOW THE SURFACE-LOADED TERM!

What a loaded term below the surface is! We talk about what's below the surface in a scandal, in financial implosions such as the GFC, beneath celebrity status, double entendres. We also talk and argue about what's below the surface of environmental issues. Below the surface can imply the 'real motive', the psychological impetus, the subconscious, intrigue, subtefuge, secrets. It also implies that what's below the surface is much larger, and possibly more significant, than what appears on the surface.

We are all so much more than what our exterior body appearance indicates. What's that old saying...'Beauty* is more than skin deep'. Or did I just make that up!? Funny though, when you think about what below the surface means it becomes appparent that it's not just about the below, but also the beyond. Indeed once the below is stirred and recognised its influence permeates across and beyond the surface. This can be a real physical influence on a material surface and into the atmosphere, or we can be propelled into other realms, such as the spiritual, imaginative and psychological.

CSG

This brings me to the coal seam gas debate [regular readers will know of my keen interest] which is heating up here in Australia with yesterday's release of the Senate Enquiry into CSG report. Here are just two media reports about the Senate Committeee's report  ABC Lateline Business and The Australian  Indeed, the Senate Enquiry dug beyond the surface, over many months of hearings and have recommended a number of actions based on well documented and research based fears, from various informed groups, about the affects of CSG mining on the Great Artesian Basin. Other issues involving potential impacts on prime agricultural land, health, social cohesion, farming practices, economic value were also presented to the Enquiry. The report is critical of, particularly the Queensland Government's, non precautionary principle stance. Indeed, I attended a forum on CSG at the University of Queensland in late 2009 where various representatives across the CSG debate spoke. The Government representatives indicated that their approach was 'well see as we go.' 

Another investigation that goes below and indeed beyond the surface is Paul Cleary's book 'Too Much Luck: The Mining Boom and Australia’s Future'. Check out the publisher's site Black Inc Books I have just finished this very thought provoking book. It examines a range of issues for us now and into the future. Cleary's concern for future generations means he has gone not just below the surface, but beyond as well. I highly recommend your read  'Too Much Luck: The Mining Boom and Australia’s Future'.

So, to a more literal level...a CSG well is not just its surface appearance. What happens below ground, and what is brought up from below ground, may have far more reaching influences, many of them possibly unknown for many years eg: a breakdown in naturally ocurring barriers between aquifers could possibly cause cross contamination of water types [saline and non-saline], loss of pressure could cause leakage from higher aquifers to lower ones and this may result in soil subsidance; methane gas leakage can cause a plethora of problems with one issue of paramount importance ie: methane is a  dangerous contributor to global warming. There are many more possible outcomes which have been expressed by farmers, scientists and academics. The precautionary principle seems pretty sensible to me!


PERSPECTIVE

Ideas of below and beyond the surface link with my interest in perspective. Regular readers will know of my interest! I play with perspective in my paintings by creating ambigious 'scapes'. As I have written before, I deliberately try to stimulate the viewer to move back and forth from my paintings. When viewed up close small details are discernible, but from a distance they are not. This dance back and forth, is similar to the 'dance' I move to as I paint. I work up close and then move back to view a painting from a distance, or I place a painting-in-progress in a spot where upon re-entering my studio, I see it with fresh eyes/perspective. I do think this 'dance' is a pretty good metaphor for how we need to negotiate life as we live locally in an increasingly globalised world.

Some earlier post on BEAUTY


FOR EVERYONE: WORDS AND PAINTINGS

My new book has it own PAGE - FOR EVERYONE


Cheers,
Kathryn

Wednesday, November 23, 2011

LUCK?

Becoming The Light Oil on linen 160 x 120 cm

It has been over a week since I last posted. But, as you can see, if you are a regular reader, I have revamped and upgraded my BLOG! There's all sorts of things you can do now! You can Tweet posts share posts on Facebook or share the blog on Linkedin and more. Plus, on the right I have listed links pertaining to my book 'FOR EVERYONE:Words and Paintngs' and listed some of my 'quiet activist' posts which deal more specifically with my concerns about the rapid expansion of mining in Australia, particularly CSG.

SUBSCRIBE
If you are a new visitor please subscribe either via email in the place provided on the right [up top] or the Google Friends subscription. The benefit? Well, you get notification when I write a new post, which is normally once a week.

WHAT I AM READING
I am currently reading Too Much Luck: The Mining Boom and Australia’s Future by Paul Cleary. I went to the launch at the Queensland University of Technology about 10 days ago. There were three speakers including the author. The second speaker was Ruth Armstrong, a farmer and an ecologist from near Cecil Plains, on the Darling Downs. Here's a link to an article which will fill you in on her story http://www.theaustralian.com.au/national-affairs/fertile-grounds-for-coal-seam-test-case/story-fn59niix-1226059965718 The third speaker was Prof Kerry Carrington http://staff.qut.edu.au/staff/carringk/ Prof Carrington spoke about the social impacts of the rapidly growing mining and CSG industries. She called for great caution in the face of potentail eco-terrorism and more.

In Too Much Luck: The Mining Boom and Australia’s Future Cleary examines various aspects from the economic, social to the environmental, looking at current events and their immediate impact, as well as long term issues. He looks to history for lessons...which our politicans seem not to have learnt. He compares Australia to other resource rich nations [Chile, Norway and East Timor] which have 'harvested' profits to ensure they return and maintain economic benefits to the people now and into the future. He very clearly highlights the economic impacts on other industries in Australia eg: tourism, manufacturing and education, pointing out that these industries employ more people than the mining industry. However, all three are suffering major losses. I recommend you buy Too Much Luck: The Mining Boom and Australia’s Future http://www.blackincbooks.com/books/too-much-luck

Can We Eat Coal For Breakfast? Gouache on paper 30 x 42 cm

UQ SYMPOSIUM
Last week I attended an afternoon symposium 'Governing Human Beings In The Age Of The Brain: A Symposium With Nikolas Rose' hosted by the University of Queensland's Centre for the History of European Discourses. Fascinating presentations . Here's the program:
 
“The Biological Imaginary: Science and the Somaticised Self”
Elizabeth Stephens, ARC Research Fellow
Centre for the History of European Discourses
The University of Queensland

“Avoiding the Seductions of Neurohype in Ethical Analyses of Addiction Neuroscience”
Wayne Hall, NHMRC Australia Fellow
UQ Centre for Clinical Research
The University of Queensland

“Brain Whisperers: New Forms of Consumer Monitoring on the Frontiers of Neuroscience”
Mark Andrejevic, ARC QE II Fellow
Centre for Critical and Cultural Studies
The University of Queensland

“A Neurobiological Complex? Governing Human Beings in the Age of the Brain”
Nikolas Rose, Martin White Professor of Sociology
BIOS Centre for the Study of Bioscience, Biomedicine, Biotechnology and Society
London School of Economics
 
This symposium follows another two day one I attended at the University of Queensland a number of weeks ago. It's theme was virtual anatomies. Plus I attended two interesting panel discussions at the Gallery Of Modern Art [GOMA] on creativity, young minds and so on. These were held in conjuction with the Surrealism exhibition which was on at the time.

 
Meeting Place Of The Mind Oil on linen 100 x70 cm

I sense a tension between the potential that our love affair with technology is prepping us for an 'evolutionary' development towards a state of singularity ie: human/machine, cyborg etc on the one hand and the desire to recapture the grace of spirit on the other. Abdicating our minds/brains to machines is already happening...in the name of 'progress', yet the juncture of culture, pscychology, technology, science, religion poses questions which grapple with age-old questions of what it means to be human. I have more thoughts on this and will write more over time.

FOR EVERYONE: Words and Paintings
Please check out the links on the right!

FOR EVERYONE is available on most online book selling sites:

PLUS:

Coaldrakes in Brisbane has some copies
and as of tomorrow [Thursday 24 November] the two bookstores at the Queensland Art Gallery and GOMA will also have some copies. I am dropping them off tomorrow!

BOOK LAUNCH
Thursday 23 February 2012
at Fireworks Gallery, Newstead, Brisbane
Scott Emerson MP, my local State Government member for Indooroopilly and Shadow Minister for the Arts will be launching FOR EVERYONE
The 30 paintings inside the book will be exhibited for a 2-3 day period too.

 
NEW GALLERIES: WEBSITE
I have made some new 'galleries' on my website. One is called 'My Women' and another is a selection of paintings under $1000. Please chack them out!

RITUALS RELICS AND ICONS
This exhibition is on at ANCA Gallery in Canberra http://www.anca.net.au/ from tonight until 4 December. I have a piece Hovering At The Centre  in the exhibition.

                                            Hovering At The Centre Oil on linen 30 x 30 cm

 
FABULOUS FORTY
USQ Alumni Exhibition
23 November - 11 December
Opening Friday 25 December
MadeCreativeSpace: Toowoomba

I have three paintings in this exhibition. I am not a past student of USQ, but I was their first Art Collection Curator back inthe early 90s when the University was the Darling Downs Institute of Advanced Education DDAIE

Well...I think that's all for now.
Cheers,
Kathryn

Monday, November 14, 2011

PERPETUAL BEGINNING

Perpetual Beginning Oil on linen 80 x 120 cm

Change gives birth to beginnings as it heralds and oversees demises of pre-existing conditions and structures. But, aren't we in a space of constant change? Nature provides perfect examples of ongoing change and new beginnings with its cycles and beauty, plus its mutations and adjustments. Beginnings don't necessarily have to be good! Adjustments such as climate change, erosion, desertification etc are not the kind of beginnings we or the planet benefit from. Now we find ourselves in a place where we want, and need, to deliberately affect change, to help the planet. How do we do that? Look to the past to learn lessons? Look to the future with imagination and hope? Indeed, multiple perspectives are necessary, because the existing perspective of current paradigms is prone to regurgitative processes.

In 'Perpetual Beginning' Mother Nature hovers at a portal like place. The flames of a burning tree have multiple possibilities from death and renewal, providing light and energy, to concepts of eternity and spiritual connection, plus returning to the gates of Eden. The spirals quiver with energy and indeed Mother Nature embodies the spiral as she is embraced and energised by it. My much loved age-old  transcultural/religious tree of life offers itself as a symbol of life and hope. As regular readers know, I am interested in exploring how to visually represent the tree-of-life in a way which is meaningful to us in the 21st century. Its core symbology is eternal, and how we represent it releases meaning. Thus, I am interested in untethering the tree-of-life from past visual representations, which meant something to our forebears, but perhaps not to us in the 21st century, apart from being recognised as historically significant.  

Today, in the 21st century we are confronted by major ecological and environmental issues, which compound into social and economic minefields. The tree-of-life, I believe, has the capacity to 'speak' to us today, if we explore its potential as an age-old symbol. Indeed, being age-old certainly qualifies it as a harbour for meaningful knowledge.
Last Friday I had my first experience participating, as a presenter via Skype, in a Sustainable Resource Management class of 86 students from the Technical University in Munich. Their lecturer is interested in stimulating students to seek knowledge and inspiration in myth, music, art, symbolism, poetry etc. Great fun to be involved in something where environmental issues and the arts can inter-connect in ways which hopefully scaffold sustainability!

Indeed, the future is signalled in the past, but time has to pass to see it. Art is the witness.

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MY BOOK!

FOR EVERYONE: Words and Paintings
Avialable as a boo and an e-book.


FOR EVERYONE- PRESS RELEASE

Here's the GOOGLE preview FOR EVERYONE where you can see the first 5-7 pages.  http://tinyurl.com/3uomgvy 

You can BUY FOR EVERYONE from Balboa Press -

You can BUY FOR EVERYONE from AMAZON too!
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MY WEBSITE

Please check out my website www.kathrynbrimblecombe-fox.com
I have made some new 'galleries'!

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DIRECTORS' CUT

And please check out the Directors' Cut [Blake Prize] online exhibition. My painting Compassion was selected. It is for sale too!

Cheers,
Kathryn

Sunday, November 06, 2011

BREATHING ACROSS TIME

Breathing Across Time Oil on linen 50 x 94 cm

My inspiration is Mother Nature. She 'speaks' to me. Regular readers will know of my concern for the environment, our earthly one, our cosmological one and our inner environment of the human psyche. I 'see' them all as linked, as One across time and space, indivisible.

And, my tree-of-life, the age-old transultural/religious tree symbol extends its roots and its branches into the inner and outer worlds of existence.

I am really excited about where the tree and Mother Nature are taking me. I am really enjoying painting, sketching my ideas and noting down thoughts. I 'see' a coalescence of various elements I have previously written about...beauty, compassion, distance, perspective, sacred feminine, systems and more. All of these 'speak' about our world and remind us of what we lose if we languish in complacency, rhetoric, celebrity worship and political posturing.

Breathing Across Time was inspired by my recent gouache on paper painting Breath which I wrote about two posts ago http://kathrynbrimblecombeart.blogspot.com/2011/10/breath.html  In Breathing Across Time
a woman's figure seems to float inside a vortex or spiral, as if it is a transporter across time. The quivering of a spiral reverberates with energy and force, like a lung breathing. The female figure is Mother Nature, and as she breaths so do we, so does the Earth, stars and other universes. Breath and pulse, the common signs of life.  

She Calls Gouache on paper 30 x 42 cm

So, to She Calls...Mother Nature, the sacred feminine calls us to breath in unison with her. The tree-of-life erupting from her arms and legs reminds us of the life force running through our veins. The vascular energy connects Mother Nature to us, to all... across time and space. The red female figure seems like an artery herself. As she beckons we 'see' that her heart and mind are connected. A hint for us to check our own connections.

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Please have a look at my new 'gallery' on my website called My Women 1991-Present



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And please check out the Directors' Cut [Blake Prize] online exhibition. My painting Compassion was selected. It is for sale too!

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Plus a GOOGLE preview of my book FOR EVERYONE where you can see the first 5-7 pages.

FOR EVERYONE- PRESS RELEASE

You can BUY FOR EVERYONE from AMAZON too!


The book launch will be February at Fireworks Gallery, Newstead Brisbane. I shall keep you posted!


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Plus, I have created a 'gallery' on my website of paintings Under $1000.
Ideal for Christmas presents!

The two paintings below are examples:

Collapsing Perspective Gouache on paper 21 x 15 cm $300 [unframed]

Trees Dancing Gouache on paper 21 x 15 cm $300 [unframed]

And, please check out all the other galleries on my website too:

Cheers,
Kathryn